Arts and GH Heritage
Why Ghana’s Art Scene Is Becoming One of the Most Influential in the World
Ghana’s contemporary art scene has entered a new era, one defined by the remarkable rise of women-led creative institutions reshaping how culture is made, preserved, and imagined.
For years, global attention focused on Ghana’s painters breaking auction records or its star architects redefining urban landscapes. But according to Chantel Akworkor Thompson, founder of DēpART Consultancy and winner of Sotheby’s Institute’s 2025 Gavel Start-Up Pitch Competition, the real story unfolding in Ghana is quieter, deeper, and far more transformative.
“This moment is not simply a rise in visibility, but a shift in authorship,” she tells Sotheby’s. “Women are defining the terms, rewriting the archives, and building new institutional possibilities with global relevance — but first and foremost, grounded in Ghanaian communities.”

A New Kind of Art Infrastructure
The movement taking shape in Ghana is less about new galleries and more about new philosophies.
Women creatives are building alternative museums, digital labs, storytelling archives, community research hubs, and spaces dedicated to memory, healing, and cultural continuity. These are not add-ons to Ghana’s art scene — they are rapidly becoming its backbone.
The shift is intentional. Rather than compete in global art trend cycles, these women-centred spaces value research, intergenerational knowledge, and long-term sustainability. They challenge the idea that art must be tied to spectacle or commerce to matter.
Some of the key institutions leading the transformation include:
- Citizen Projects (Esi Aida Hayfron-Benjamin): A gallery and research platform fostering experimental work and critical dialogue.
- Ɛdan (Carina Tenewaa Kanbi): A craft, urbanism, and spatial justice institution offering affordable collaborative making spaces.
- Limbo Museum (Dominique Petit-Frère): Accra’s newest radical art institution questioning what a museum can be.
- saman archive (Adjoa Armah): A groundbreaking archive preserving Ghanaian studio and itinerant photography traditions.
- Si Hene (Rita Mawuena Benissan): A non-profit protecting and digitizing chieftaincy and traditional governance records.
Ghana’s art future, it seems, is being built at the intersection of heritage, innovation, and community-centered leadership.
Digital Spaces Leading the Way
What makes the current moment especially compelling is that Ghana’s creative landscape is being shaped not only by physical institutions but also by virtual ones.
Projects such as Maame’s Archive and the Omoge & Co. Institute are expanding Ghana’s influence far beyond its borders by merging research, digital storytelling, and feminist cultural infrastructure. In a continent where geography can often limit creative access, these platforms open the door to global participation.
And, as Chantel puts it, “The virtual always births the future physical space.”

Artists Defining New Aesthetics
Alongside these institutions are artists whose practices reflect the same commitment to depth and memory.
- Asia Clarke blends Afrofuturist design, adornment, and ancestral aesthetics.
- Denyse Gawu-Mensah, winner of the 2024 Yaa Asantewaa Art Prize, continues to push archival futurism through photography and family memory.
- Naomi Amevinya explores the complexities of the female form within African social narratives.
- Theresah Ankomah interrogates weaving as a political and economic practice.
- Samuella Graham uses painting, fabric, and installation to document the psychological landscapes of womanhood.
These artists are not following global trends — they’re setting them.
Emerging Trends: The Ghanaian Signature
Across this ecosystem, five major trends are emerging, nearly all led by women:
- Archival Futurism – Reimagining archives as spaces where memory, spirituality, and digital tools intersect.
- Feminist Institutional Building – Creating new artistic systems based on equity, care, and durability.
- Embodied Practices – Using the female body and lived experience as legitimate creative research.
- Afrofuturist Material Culture – Transforming hair, craft, and adornment into futuristic design languages.
- Expansive Documentary Photography – Merging oral histories, film, and social research to produce immersive visual records.
These trends are helping Ghana stand out not only in Africa but across the global art world.
The Global Spotlight Is Shifting
International collectors and cultural strategists are paying close attention — but not to what they used to.
The focus is moving away from the traditional gallery circuit and toward Ghana’s new wave of creative institutions, archives, and community-driven projects. Residencies and international partnerships are increasing, built on respect and long-term collaboration rather than extraction.
For once, Ghanaian women are not being invited into global art conversations — they’re setting the agenda.
A Future Being Built in Real Time
For Chantel Akworkor Thompson, these women represent not just a trend, but a turning point.
“Their work mirrors the Ghana I believe in,” she says, “a place where imagination is a political tool, where care is methodology, and where women build the future in real time.”
The world is watching Ghana’s art scene more closely than ever.
But what makes the moment powerful is not the attention — it’s the authorship.
Ghana is no longer waiting to be discovered.
It is defining its own cultural future, and women are leading the way.
Arts and GH Heritage
Detty December Delights: Ghana’s Cultural Explosion Lights Up the Holidays in 2025!
December 26, 2025: Hey, world wanderers and culture chasers! If you’re scrolling from New York, London, or Lagos, drop everything because Ghana is serving up the ultimate festive feast right now.
Detty December – that glorious, glittery chaos where “detty” (short for “dirty” in the best, party-hard way) meets deep-rooted heritage – is in full swing. As we hit the halfway mark of this month’s merry mayhem, Ghana’s streets, beaches, and squares are alive with rhythms, flavors, and fashions that scream “Akwaaba!” (that’s “welcome” in Twi, for the uninitiated). From diaspora homecomings to star-studded spectacles, 2025 is proving why Ghana is Africa’s unbeatable holiday hotspot.
Picture this: Under the sunny skies of Black Star Square today, thousands are grooving at Taste the Culture: A Black Star Experience – a sensory overload of Ghanaian vibes that’s happening right now! This isn’t your average concert; it’s a full-on heritage hug. Launched as part of the government’s Black Star Experience initiative, the event celebrates Ghana’s rich tapestry through mouthwatering cuisine (think spicy jollof rice battles and fresh palm wine sips), electrifying music, and bold fashion parades.
Headliners like Nigerian sensation Omah Lay, homegrown queen Gyakie, and soulful King Promise are dropping beats that blend Afrobeats with highlife – Ghana’s iconic sound born in the 1920s. It’s all about “hearing the rhythm, tasting the flavors, and seeing the style,” with sustainable twists like eco-friendly vendors showcasing traditional textiles and herbal remedies. Pro tip: If you’re in Accra, grab a ticket via the official site – it’s family-friendly, authentic, and utterly unmissable!

But wait, the party’s just getting started! Gear up for AfroFuture Festival kicking off December 28-29 at El Wak Stadium. Formerly Afrochella, this powerhouse event is a global magnet for the African diaspora, fusing music, art, and innovation. Expect headliners like Asake, Moliy, and TXC lighting up the stage with Afropop, Amapiano, and dancehall vibes. Beyond the tunes, dive into art installations, fashion pop-ups featuring kente-inspired couture, and food stalls dishing out pan-African delights. It’s not just fun – it’s a movement promoting community health fairs and creative expos that honor Black excellence.

With tickets flying off (VIPs sold out fast!), it’s the perfect cap to your Detty adventure. And yes, it’s got that heritage heart: Think storytelling sessions on Ghana’s Ashanti kings and interactive exhibits on Adinkra symbols – ancient wisdom meets modern swag.
Ghana’s December magic isn’t confined to the capital. Earlier this month, the Afro-Brazil Ghana Festival (December 12-13) in Accra bridged continents with live music, dance-offs, art stalls, and fusion feasts blending Ghanaian fufu with Brazilian feijoada – a nod to shared African roots across the Atlantic.
Up north, the Damba Festival wrapped up with royal parades and harvest dances, showcasing Dagbon heritage in all its colorful glory. And don’t sleep on the nationwide Ghana Heritage Month vibes, where events like the Fufu Party on a Park turned parks into cultural carnivals with traditional drumming and storytelling.

What makes 2025 extra special? The Ghana Tourism Authority’s push for inclusive, sustainable tourism is shining through. Events are vetted for authenticity, boosting local economies while inviting the world to reconnect – especially the diaspora, with homecoming vibes stronger than ever.
As Tourism Minister Abla Dzifa Gomashie puts it, “December in GH is a cultural renaissance, a global call to come home.” Whether you’re here for the beats, the bites, or the bonds, Ghana’s got you covered.
So, pack your dancing shoes and an empty stomach – Detty December 2025 is calling! Follow #DecemberInGH for live updates, and remember: In Ghana, every celebration is a story waiting to be lived.
Arts and GH Heritage
Thanks to China, Ghana’s National Theater Set for Major Modernization After Years of Decline
China has committed $30 million to the long-awaited renovation of Ghana’s National Theater, a landmark cultural institution that has anchored the country’s performing arts scene for more than three decades.
The refurbishment, expected to modernize the iconic structure and bring it up to contemporary global standards, aims to resolve long-standing infrastructural and technical challenges that have constrained the theater’s operations in recent years. Once completed, the project is expected to significantly enhance Ghana’s capacity to host world-class cultural productions and international creative collaborations.
A Chinese government delegation recently toured the facility alongside Ghanaian officials, including the leadership of the National Theater, the Minister of Tourism, Culture and Creative Arts, directors from the ministry and architects. The visit was intended to assess the condition of the building and define the scope of renovation works.
Executive Director of the National Theater, Henry Herbert Malm, described the project as a critical intervention for the future of Ghana’s creative industry. He said the upgrades would modernize technical systems, improve safety standards and create a more comfortable environment for performers, staff and audiences.
“This renovation reflects our commitment to staying relevant in a rapidly evolving creative industry,” Mr Malm said.

Minister of Tourism, Culture and Creative Arts, Madam Abla Dzifa Gomashie, welcomed the development, noting that plans to refurbish the theatre had been discussed for years. She said the breakthrough was achieved during President John Dramani Mahama’s recent five-day visit to China at the invitation of President Xi Jinping.
The minister described the National Theater as an indispensable platform for cultural exchange and learning, both locally and internationally, adding that the facelift would open new opportunities for creative talents to showcase and develop their craft.
“We are counting on strong collaboration with the government and people of China, and we expect that in a very short time this renovation will see the light of day,” she said.
Leader of the Chinese delegation, Mr Li Yaohong, said China’s decision to renovate the facility was rooted in Ghana’s rich cultural heritage and its strategic importance in West Africa. He announced that the $30 million investment—equivalent to about ¥200 million—would support two projects: the National Theatre and an off-road market.
“Our budget is limited, so we propose that you prioritize the most urgently needed parts of the building,” Mr Li said, adding that a technical team from Beijing would be deployed to Ghana to further assess the renovation details.

Planned works include the refurbishment of the theater’s halls and stages, improvements to storage spaces, upgrades to air-conditioning systems, enhanced safety installations such as fencing and CCTV, modern firefighting equipment, and a general facelift of the entire compound.
Constructed under a bilateral agreement signed on July 5, 1989, the National Theater was completed in December 1992 and officially commissioned later that month. It was designed as a multi-functional cultural hub for concerts, dance, drama, musical performances, exhibitions and special events. The facility currently hosts three resident companies: the National Dance Company, the National Symphony Orchestra and the National Drama Company.
The renovation is widely seen as a significant boost to Ghana’s cultural infrastructure and a reaffirmation of long-standing Ghana-China relations in the arts and development sectors.
The Ghana News Agency contributed to this report.
Arts and GH Heritage
New ‘Live in Ghana’ Program Helps Diasporans Experience Life in Ghana Before Relocation
A new initiative aimed at members of the African diaspora considering a move to Ghana has officially launched, offering an immersive alternative to short-term visits and heritage tours.
The Live in Ghana Program is designed for diasporans who want to experience everyday life in Ghana before making the decision to relocate. Organizers say the program provides structured housing, cultural grounding, and practical relocation support to help participants make informed, intentional choices about resettlement.
Participants are housed at Megbɔ Aƒe [I’m back home], a transitional living space created specifically for returnees.
The accommodation serves as a base for cultural immersion, community engagement, and hands-on guidance tailored to the needs of those exploring long-term relocation.
The program offers three options based on individual readiness and goals:
- Two-Week Exploratory Stay, designed for those seeking clarity through firsthand exposure to daily life in Ghana
- One-Month Immersion Stay, focused on deeper cultural integration, networking, and relocation preparation
- Three-Month Reintegration Stay, a comprehensive transition experience for participants preparing to permanently relocate
Organizers explain that the program is not a tour package but a lived experience. Participants engage in cultural orientation sessions, Ghanaian language lessons, local excursions, and networking opportunities with fellow returnees and community leaders. Each participant also receives personalized support from a Travel and Reintegration Specialist, who helps navigate housing, logistics, and cultural adjustment.
The initiative arrives as interest in returning to Ghana continues to grow among African-descended communities in North America, Europe, the Caribbean, and beyond—driven by cultural reconnection, economic opportunities, and a desire for a stronger sense of belonging.
“This is about giving people the space to live, learn, and decide,” organizers say, positioning the program as a bridge between curiosity and commitment. “If Ghana has been calling, this is an opportunity to answer intentionally.”
Diasporans interested in learning more can schedule a free discovery call through the program’s official platforms, including @diasporaresource.gh, or visit live-in-ghana to begin the process.
As Ghana continues to position itself as a welcoming home for the global African family, initiatives like Live in Ghana are reshaping how return migration is approached—moving beyond symbolic visits toward sustainable reintegration.
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