Festivals & Events
Create Your Own Wearable History in the Accra Art District
The upcoming Tie and Dye Workshop is an invitation to step out of the humid afternoon sun and into the rhythmic, blue-stained world of West African fabric design.
The streets of Accra are a riot of color, but if you look closely at the vibrant fabrics flowing through the Makola Market or draped over shoulders at a Sunday service, you aren’t just looking at cloth. You are looking at a visual dialect. In Ghana, textiles are our second language.
This March, the Accra Art District is opening its doors to those who want to do more than just buy a souvenir—they want to create one. The upcoming Tie and Dye Workshop is an invitation to step out of the humid afternoon sun and into the rhythmic, blue-stained world of West African fabric design.
Why This Isn’t Just “Crafting”
For the global traveler, a workshop like this is the antidote to “surface-level” tourism. It is easy to take a photo of a monument; it is quite another thing to feel the cold, wet weight of cotton in your hands and learn the specific folding techniques—the spirals, the marbles, and the “cloud” effects—that have defined West African aesthetics for generations.

In Ghana, “Tie and Dye” (often locally referred to under the broader umbrella of Adire or Gara techniques in the region) is a communal heartbeat. Historically, these patterns weren’t just random splashes of color. They communicated status, proverbs, and even political resistance. By participating, you aren’t just “making a shirt”; you are participating in a lineage of African storytelling.
For the Native and the Newcomer
If you are a native Ghanaian, this is a chance to reconnect with a heritage that is often eclipsed by ready-made, imported fast fashion. It’s an act of cultural preservation. There is a profound sense of pride in wearing something you dyed yourself using the same color-saturation logic your grandmother might have used.
For the tourist, this is your “Accra moment.” You’ll sit alongside locals, sharing stories over tubs of dye, perhaps getting a few blue splashes on your shoes—a permanent badge of honor. You leave not with a generic gift-shop trinket, but with a piece of Ghana’s creative soul that you helped bring to life.
Event Details: Mark Your Calendar
The workshop is perfectly timed for those looking to inject some color into their week. Held at 12:00 PM at the Accra Art District, you have three opportunities to join:
- Tuesday, March 10, 2026
- Thursday, March 12, 2026
- Saturday, March 14, 2026
At a rate starting from ₵390, it is an accessible entry point into the high-octane world of Ghanaian art.
The Verdict
Accra is a city that moves fast, but the Art District asks you to slow down. Whether you’re a seasoned artist or someone who can barely draw a straight line, the beauty of tie-dye is its “perfect imperfection.” You don’t need to be a master; you just need to be willing to get your hands a little messy.
Come for the fabric, stay for the community, and leave with a masterpiece that smells like the sun and the salt of the Gulf of Guinea.
Festivals & Events
The Festival of Truth: Why Techiman’s 2026 Apoɔ is the Ultimate Cultural Reset
If you think a festival is just about the drumming and the dancing, you’ve clearly never been to Techiman during Apoɔ.
Imagine a place where, for a few weeks, the social hierarchy dissolves, and you are legally and spiritually permitted to tell your boss, your neighbor, or even the highest King exactly what you think of them—without fear of retribution.
This isn’t a modern social media “call-out” culture; it is a sacred, ancient Bono tradition of psychological and spiritual purging that has kept this community vibrant for centuries.
From March 7 to April 5, 2026, the Techiman Traditional Council invites the world to witness this extraordinary spectacle under the theme: “Showcasing our heritage and uniting for ancestral blessings.”
The Art of “Rejecting” Evil
The word Apoɔ comes from the Bono root “po,” which literally means to reject. Historically, the festival emerged as a response to the authoritarian rule of past leaders. The people needed a vent for their frustrations, so they consulted the gods, who sanctioned a period where grievances could be aired through proverbs, songs, and lampoons.
Today, this “rejection” isn’t just about politics; it’s a massive spiritual cleanup. Before the main events, you’ll see priests performing Hyiretuo (spiritual cleansing) and women gathering white clay from the Aponkosu River to decorate shrines. It is a time when the “dirty” air of grudges and social evils is cleared to make room for fresh ancestral blessings.
Why You Must Be in Techiman This Year
For the global traveler, Apoɔ is a masterclass in indigenous democracy. Watching the Akokobonee (early morning songs) or the flamboyant processions where participants smear themselves in charcoal and clay is a sensory overload in the best way possible. It is one of the few places on earth where you can see ancient African conflict resolution in its rawest, most artistic form.
For the native Ghanaian, especially those in the diaspora, this is a homecoming with a purpose. After the disruptions of the past few years, the 2026 festival is a pivotal moment for “uniting for ancestral blessings.” It is about settling family feuds, reconnecting with the Bono-Manso roots, and standing in the presence of the Omanhene as he pours libation to the ancestors who founded one of the earliest Akan states.
What to Expect
As the festival climaxes toward the final 5:00 pm curtain call on April 5, expect the town of Techiman to be a kaleidoscope of color. You will witness:
- The Apoɔ Procession: A rhythmic, satirical parade where “insults” are turned into high art.
- Ancestral Rites: Solemn visits to the royal cemetery to bridge the gap between the living and the dead.
- The Great Friday: The peak of the celebrations, where the unity of the Bono people is most palpable.
Recommendation
If you are planning to attend, book your accommodation in the Bono East Region early. Beyond the festival grounds, take a day trip to the nearby Boabeng-Fiema Monkey Sanctuary or the Fuller Falls.
To truly “humanize” your experience, don’t just watch from the sidelines—learn a few Bono proverbs and join the singing. There is no better way to feel the pulse of Ghana than by participating in the “rejection” of the old to welcome the new.
Fashion & Style
The Global Runway Awaits: Inside the British Council’s 16-Week Blueprint for Ghana’s Creative Future
In the heart of Accra’s buzzing fashion districts—from the tailors of Osu to the high-end ateliers in East Legon—there has never been a shortage of “vibes.”
Ghanaian designers possess a unique, innate ability to weave heritage into every seam. Yet, for many early-stage brands, the path from a stunning runway collection to a sustainable, bankable business remains a complex puzzle.
Enter Creative DNA, a 16-week accelerator program that is finally bridging the gap between raw creative talent and commercial dominance.
A collaboration between the British Council Ghana and MyRunwayGroup, this initiative is the first of its kind in the country, specifically engineered to turn “one-man-show” fashion brands into globally competitive enterprises.

More Than Just a Runway
While the fashion world often fixates on the final walk, Creative DNA focuses on the “DNA” of the business itself. The program isn’t looking for perfection; it’s looking for potential. For 16 intensive weeks, selected participants will transform through:
- Business Mastery: Moving away from unstructured operations toward scalable growth strategies.
- Direct Mentorship: Gaining a seat at the table with industry titans who have already navigated the global market.
- Market Pipelines: Opening doors to international audiences, effectively shattering the “saturated market” myth by connecting local brands to the UK and beyond.
The £15,000 Catalyst
One of the most significant barriers for Ghanaian designers has always been capital. Creative DNA addresses this head-on with a £15,000 grant pot.
This isn’t just a handout; it is a strategic injection of funds designed to help designers refine their production, improve quality control, and prepare for the rigors of international trade.
It is the fuel intended to take a brand from a local workshop to a global digital storefront.
Don’t Wait for the Next Season
The fashion industry moves at lightning speed, and opportunities like this are the “limited edition” drops of the business world. Whether you are an emerging designer or a brand looking to scale, the structure and visibility offered here are the missing threads in your success story.
The clock is ticking. Applications are currently open but will close on March 22, 2026. If you’re ready to trade the struggle for strategy, visit www.myrunwaygroup.com or head over to the Instagram pages of My Runway Group and British Council Ghana to secure your spot.
Festivals & Events
The Great Hug of Tema: Why the Kpledjoo Festival is Ghana’s Most Heartfelt Sustainable Celebration
In the coastal city of Tema, there is a season where the rhythm of the Atlantic waves meets the steady beat of traditional drums. It’s a time when the modern industrial hub pauses to honor a sanctuary older than its factories: the Sakumo Lagoon.
If you find yourself in Ghana this late March, you aren’t just a spectator; you are a guest at one of the most tactile and environmentally conscious celebrations in the Greater Accra Region—the Kpledjoo Festival.
The Soul of the Lagoon
For five months, a heavy silence hangs over the Sakumo Lagoon. A strict ban on fishing and crab trapping ensures the waters remain undisturbed, allowing the ecosystem to breathe and replenish.
This isn’t just tradition; it’s an ancient masterclass in sustainability. By the time March 28th arrives, the lagoon is teeming with life, ready to sustain the community for another year.
The festival begins with a sacred dialogue between the spiritual and the physical. On the banks of the lagoon, the High Priest performs intricate rituals to appease the deities—Nayao, Awudu, Sakumo, and Tsade.
Only after these rites are completed is the ban lifted, signaling a literal and metaphorical “opening of the gates” to the people.
Why You Can’t Miss the Hug
While many festivals are defined by distance and pageantry, Kpledjoo is defined by proximity. The climax of the event is a grand durbar that dissolves into a “free-for-all” hugging session.
In a world that often feels divided, seeing the chiefs, elders, and thousands of residents—both native and foreign—wrapped in passionate embraces is a sight to behold. This “hugging ritual” serves as a powerful social equalizer.
It’s a moment where old grudges are squeezed out, and the spirit of community is physically reinforced. Whether you are a tourist from Tokyo or a native of Tema, don’t be surprised if you find yourself pulled into a warm, genuine embrace by a total stranger.
A Masterclass in Peer Review
Kpledjoo also features a unique “peer review” system that would make modern HR departments envious. Youth groups, dressed in vibrant, fanciful costumes, roam the streets singing Kple songs. These aren’t just melodies; they are musical report cards. They praise individuals who have done good deeds throughout the year and playfully “name and shame” those whose behavior has fallen short. It’s a rhythmic, witty way of maintaining the moral fabric of the city.
Event Details
- Date: March 28, 2026
- Time: 8:00 AM – 5:00 PM
- Venue: Tema, Greater Accra Region (Start at the Sakumo Lagoon banks)
Recommendation
To get the full experience, arrive early in Tema Newtown. Find a spot near the lagoon to witness the priests’ arrival, but keep your camera ready for the afternoon durbar. Wear comfortable, lightweight clothing (white is a great choice to blend with the traditional aesthetic) and be prepared to move with the crowd. Most importantly, bring an open heart—you will be hugged!
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