Festivals & Events
The Day After the Parade: Where Accra Goes to Hear Itself Think
On 6 March, the official programme will proceed as usual. Speeches. A parade. Schoolchildren standing in the sun. It is important, yes. But if you want to feel independent, not just watch it, there is another place you should be.
The day after the flags go up, on Saturday, 7 March, a different kind of celebration is taking over East Legon. It is called Our Heritage through Music and Literature. And it is built on a simple idea: that Ghana’s freedom did not just happen in a conference room in 1957. It happens every time we tell our own stories.
Where the Stories Live
The event runs from midday until evening at the e-Ananse Library. If you do not know the name, you should. Ananse is the spider. The storyteller. The trickster who taught us that words have power. Holding an independence celebration in a place named after him tells you everything about what this day will feel like.
It opens with something quiet but necessary. A reading from Poetra Asantewa’s book, Someone Birthed Them Broken, put together with the Bibliophiles and Vibes Book Club. Before the music starts, before the crowd grows, there will be people sitting with a book, asking themselves what it means to be Ghanaian right now. That is the foundation.
Games That Remember
Between the literature and the music, the organisers have made space for something we do not do enough anymore. Play.
There will be outdoor and indoor Ghanaian games. The kind our parents played before screens arrived. It sounds simple. But watch a child learn ampe from an elder, or watch a tourist try to figure out our local board games, and you will see something shift. Culture passes from hand to hand in those moments. No lecture required.
Poetry That Listens
As the sun softens, the poets take over. Ancestors Answer Me is the name of the session, curated by Creatives Project Ghana. Four poets will stand up and try to connect the people who came before to the questions we are asking now. It could get heavy. It could get beautiful. Probably both.
The Evening Belongs to the Musicians
Then, the music.
TSIE, whose voice carries the weight of highlife and the lightness of now. Elsie Raad, who moves between genres like someone who refuses to be pinned down. Koo Kumi and Mr. Poetivist, both carrying the torch for spoken word and sound.
They will play acoustic. No heavy bass to drown out the thinking. Just voices and instruments, asking you to listen.
Why You Should Come
If you are visiting Ghana, you could spend your Independence Day weekend at a hotel pool. You would miss nothing but heat. Or you could come here, to East Legon, and sit in a room with people who are still figuring out what freedom means.
If you are Ghanaian, you could stay home. Or you could bring yourself and your questions to a place where we use music and words to do what Ananse always did—remind ourselves that the story is not over yet.
Date: Saturday, 7 March
Time: 12 pm – 8 pm
Location: e-Ananse Library, East Legon, Accra
Festivals & Events
Samanpiid Festival: How Bawku Celebrates Gratitude, Harvest and Community
The first beat of the drum carries across Bawku long before the dancing begins. Courtyards fill with people dressed in brilliantly woven smocks, elders gather beneath the shade of trees, and children weave through the crowds with contagious excitement.
By the time the traditional horns join the rhythm, the town has transformed into a living celebration. This is Samanpiid, one of the Upper East Region’s most cherished festivals, where gratitude for a successful harvest becomes a shared expression of culture, memory and hope.
Held in November or December, after crops have been gathered from the fields, Samanpiid is deeply rooted in the traditions of the Kusasi people.
For generations, the festival has marked the end of the farming season, offering thanks for the rains, fertile land and the hard work that sustains families throughout the year. It is both a thanksgiving ceremony and a reminder that prosperity has always depended on community.
Throughout the festival, Bawku comes alive with performances that celebrate local identity. Traditional drummers set the pace as dancers move in colourful formations, their movements echoing stories passed down through generations.
Men proudly wear beautifully embroidered smocks, while women brighten the streets with vibrant fabrics and intricate jewellery. The result is a striking display of heritage that feels both ceremonial and welcoming.
Beyond the music and dancing, Samanpiid strengthens family ties and honours traditional leadership. Chiefs, elders and community members gather for customary greetings, blessings and cultural ceremonies that reinforce respect for ancestors and shared values.
Visitors can also enjoy local cuisine prepared for the celebrations, turning every gathering into an invitation to experience northern Ghana’s renowned hospitality.
Today, Samanpiid continues to carry special meaning as younger generations reconnect with their cultural roots while visitors discover a side of Ghana that extends beyond its bustling cities.
It reminds everyone that harvest is more than food—it’s resilience, gratitude and belonging. For travellers seeking an authentic cultural experience, witnessing Samanpiid in Bawku offers a memorable glimpse into one of Ghana’s enduring traditions.
Festivals & Events
From ECOWAS to the African Union: Accra Becomes the Centre of Global Migration Talks
Every journey tells a story, and this November, thousands of those stories will converge in Accra.
From researchers tracing migration patterns to policymakers shaping the future of free movement across Africa, the Metropolis International Migration Network Conference 2026 promises four days of conversations that extend far beyond lecture halls.
Taking place from November 17 to 20, 2026, at the University of Ghana, the international gathering carries the timely theme “Rethinking African Mobility: Past Lessons, Present Realities, Future Possibilities.”
The conference brings together scholars, government officials, humanitarian organisations and development practitioners from Africa, Europe, Asia and the Americas to examine how migration continues to reshape communities, economies and identities.
The event arrives at a significant moment for Ghana. Long regarded as a crossroads for trade, education and the African diaspora, the country has become an important meeting place for conversations about movement, belonging and regional integration.
Discussions will explore issues ranging from labour mobility within ECOWAS and migration governance to health, forced displacement and diaspora engagement, with representatives from organisations including the African Union, ECOWAS and the World Health Organization expected to participate.
Beyond the formal sessions, visitors will experience the welcoming atmosphere of the University of Ghana’s leafy campus in Legon, one of West Africa’s most respected academic institutions.
Coffee breaks, networking gatherings and cultural exchanges create opportunities for meaningful conversations with people whose personal and professional experiences span continents.
For international visitors, the conference offers an ideal reason to explore Accra’s lively food scene, creative arts spaces and historic landmarks after each day’s programme. For Ghanaians, it presents a chance to engage with global perspectives while reflecting on the country’s own migration story—from internal mobility to the far-reaching influence of its diaspora.
Early-bird registration remains available until August 25, 2026, with discounted rates for Africa-based scholars and students, making this one of the year’s most accessible international conferences.
Whether you arrive as a researcher, practitioner or curious traveller, Accra is preparing to host a conversation that could help shape Africa’s future of movement.
Festivals & Events
Jintigi: The Sacred Night Before Larabanga’s Fire Festival
As evening settles over Larabanga, the ancient town grows quieter. In the air is the anticipation of Jintigi, a significant observance held one day before the community’s famous fire festival.
While drums, gatherings and celebration will soon fill the town, Jintigi begins from a more solemn place: prayer, reflection and a search for guidance about the year ahead.
At the heart of the observance is the Chief Imam, who consults the Qur’an to seek indications about what the coming year may hold.
For the community, this is not simply an act of prediction. It is a spiritual moment that connects religious leadership with the hopes, concerns and expectations of the people.
A Tradition Rooted in Community
Larabanga, in Ghana’s Savannah Region, is renowned for its historic Islamic heritage and its centuries-old mosque, one of the country’s most recognisable examples of Sudano-Sahelian architecture.
Jintigi belongs to this wider cultural setting, where faith, community memory and local tradition have long shaped everyday life.
The observance also serves as a bridge between generations. Elders carry knowledge of the tradition, while younger residents experience and inherit its meaning.
Families and community members gather around a shared spiritual purpose, creating a sense of unity before the more public festivities begin.
More Than a Festival
What makes Jintigi compelling today is the balance it preserves between celebration and contemplation.
In an age when festivals can easily become spectacles for visitors, Jintigi retains a deeply personal dimension: people looking beyond the present and asking what the future might bring.
For travellers exploring Ghana’s cultural heritage, experiencing Jintigi offers a glimpse into a tradition where spirituality and community life meet.
It is a reminder that sometimes the most meaningful festival moments are not the loudest ones, but those spent listening, praying and looking towards tomorrow.
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