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Nana Acheampong Returns Home for Daddy Lumba’s Funeral: ‘Celebrate the Life of My Brother’ (VIDEO)

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Lumba Brothers
Nana Acheampong (L) and Daddy Lumba

Few friendships in Ghana’s music history carry the cultural impact of the bond between Highlife greats Daddy Lumba and Nana Acheampong.

And with Ghana preparing to lay Lumba to rest, the man who walked closest with him during his rise has arrived home with a simple message for fans: focus on celebrating a remarkable life.

In a video posted on Instagram on December 3, 2025, Nana Acheampong announced that he had flown back to Ghana specifically to attend the final funeral rites of his longtime collaborator and friend, scheduled for December 13.

Touched down last night in the motherland. Let’s come together and celebrate the life of my brother, Daddy Lumba… My condolences once again to the family and loved ones,” he wrote—an appeal clearly aimed at calming tensions after recent controversies surrounding the funeral’s organization.

Acheampong has remained one of the most visible voices honoring Lumba since news of the Highlife icon’s passing broke.

Earlier, he released a moving four-minute tribute song, “Due! K. Fosu,” a piece fans have described as painfully honest and spiritually grounding—capturing the national grief that greeted Lumba’s death.

Their relationship was more than musical partnership; it was a lifelong brotherhood. The two met in the 1980s and forged a bond that would help define Ghana’s modern Highlife sound. It was Nana Acheampong who nudged the young Charles Kwadwo Fosu—later known to the world as Daddy Lumba—towards a full commitment to Highlife. Together, they formed what became the legendary “Lumba Brothers.”

Their journey was far from smooth. Plans to release their debut album in 1986 stalled due to lack of funds. It was only through the support of Lumba’s first wife, Akosua Serwaa, that the duo finally brought out “Yɛɛyɛ Aka Akwantuo Mu” in 1989. The album went on to influence a generation and cemented their place in Ghana’s cultural memory.

As the country prepares for a final farewell, Acheampong’s return has struck an emotional chord among fans—many of whom see him as one of the last living links to Lumba’s formative years.

And on December 13, when the country gathers to say goodbye, Nana Acheampong will be there, standing for a friendship that shaped a genre and left an imprint that will outlive both men.

Reels & Social Media Highlights

From #Galamsey to Football Fever: The Conversations That Took Over Ghana’s Social Media

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Ghana’s social media feeds were a whirlwind of activism, football banter and internet humour on Thursday, July 16, as Ghanaians once again proved that no conversation stays quiet for long.

From policy debates to viral memes, Facebook and X reflected a nation equally invested in accountability, entertainment and sporting pride.

Environmental concerns remained impossible to ignore as #Galamsey continued trending. Fresh calls for stronger action against illegal mining reignited public frustration over polluted rivers and environmental degradation, with many users demanding tougher enforcement rather than political promises. The topic resonated because it cuts across livelihoods, public health and national identity.

Political discussion also gained momentum around #MahamaMeetsCSOs, as citizens debated the significance of government engagement with civil society organizations. Supporters described the meetings as evidence of dialogue, while critics questioned whether the conversations would produce tangible reforms.

Football supplied the internet’s lighter moments. European stars including Rodri, Lamine Yamal and discussions surrounding Spain’s latest performances generated thousands of reactions, memes and playful arguments among Ghana’s passionate football fans.

Online personalities also found themselves in the spotlight, with Ansah Ewurama Biney and STARGIRL EWURAMA attracting heavy engagement through fan-driven content, creator updates and spirited conversations that showcased Ghana’s growing creator economy.

Two viral conversations worth embedding include the Ghana trends tracker on X: Trends in Ghana (@TrendsInGhana) and the live Ghana trends page: Ghana X Trends.

Taken together, the day’s online activity revealed a digital culture that effortlessly shifts between civic engagement, football obsession and creator-driven entertainment—capturing the diverse interests that define Ghana’s ever-active social media landscape.

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Festivals & Events

Stories That Cross Borders: Experience When You See Me in Accra

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On a warm July evening in Accra, storytelling will take center stage in a way that goes far beyond entertainment. When You See Me, a one-hour literary and performance event hosted by the Queenmothers and Migrants Project, invites audiences to explore migration through the voices of women, blending fiction, theatre, music, and spoken word into a moving cultural experience.

Taking place on Thursday, July 16, at Kata Garden Bistro, the gathering offers visitors an intimate encounter with one of the defining conversations shaping contemporary Ghana and the wider African continent.

Migration has long been woven into Ghana’s history. People have crossed regions and borders in search of education, employment, safety, and opportunity, carrying with them languages, traditions, and personal stories.

When You See Me shines a light on those experiences from a feminist perspective, exploring the resilience, identity, and emotional realities of women navigating new homes while holding onto their roots.

The evening brings together an impressive lineup of creative voices. Award-winning Ghanaian novelist Peace Adzo Medie, celebrated for her internationally acclaimed novel His Only Wife, will present a short story reading.

Audiences will also enjoy a live vocal performance by falè, spoken-word poetry by Twita, and dramatic excerpts performed by Lododo Arts Foundation. Together, these performances create a rich artistic conversation where literature, theatre, and music complement one another, offering different perspectives on belonging and displacement.

Set within the relaxed surroundings of Kata Garden Bistro on Blohum Road, the event promises an atmosphere where audiences can connect with artists and fellow guests in an informal setting.

The venue’s garden environment encourages reflection, making it an ideal backdrop for stories that ask listeners to consider empathy, identity, and shared humanity.

For international visitors, the event offers an authentic introduction to Ghana’s contemporary literary and performing arts scene beyond traditional tourist attractions.

For Ghanaians, it provides an opportunity to engage with conversations that continue to shape families and communities across the country.

Whether you are passionate about books, theatre, poetry, or cultural exchange, When You See Me demonstrates how storytelling can bridge distances, challenge assumptions, and remind us that every journey begins with a story waiting to be heard.

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Arts and GH Heritage

From Kantamanto to the Gallery: Reclaiming Identity Through Textile Art

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There is a quiet revolution in taking a word once used as an insult and turning it into a badge of imagination.

That transformation lies at the heart of KUBOLOR: In Search of Greener Pastures, where artist Kwabena Ofe Gideon Amponsah invites audiences to see wandering not as failure, but as a form of curiosity that shapes cities, identities, and creative expression.

In Ghana, “kubolor” has long described someone perceived as drifting without direction. Amponsah challenges that stereotype by presenting movement as an act of discovery.

His richly textured tufted works—created using a technique he taught himself after encountering it online—carry the marks of experimentation.

Thick layers of yarn, bold silhouettes, and tactile surfaces encourage viewers to slow down and consider the value of process as much as the finished artwork.

The exhibition draws much of its emotional power from Accra’s Kantamanto Market, one of the world’s largest second-hand clothing hubs.

Rather than treating discarded garments as waste, Amponsah transforms them into sculptures, wearable art, and immersive installations. Each fabric fragment carries traces of another life, suggesting that materials, like people, can find new purpose through reinvention.

That conversation extends into fashion through a collaboration with Ghanaian label DARKOS. The garments are not presented as merchandise but as living artworks, blurring the boundaries between clothing, sculpture, and performance.

Their contemporary forms encourage reflection on gender, identity, and the ways the body communicates personal history.

The exhibition’s installation mirrors the visual rhythm of Kantamanto itself. Hanging textiles, layered displays, and improvised arrangements recall the ingenuity of market traders, turning everyday merchandising techniques into a carefully orchestrated artistic language.

Visitors move through a space that feels at once familiar and theatrical, where commerce and creativity exist side by side.

Running until Monday, July 27, 2026, KUBOLOR: In Search of Greener Pastures leaves a lasting impression because it reframes a familiar Ghanaian expression with generosity and imagination.

It argues that the search for greener pastures is rarely about escape. More often, it is about resilience, reinvention, and the courage to keep moving until overlooked stories—and overlooked materials—find their place in the spotlight.

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