On a warm July evening in Accra, storytelling will take center stage in a way that goes far beyond entertainment. When You See Me, a one-hour literary and performance event hosted by the Queenmothers and Migrants Project, invites audiences to explore migration through the voices of women, blending fiction, theatre, music, and spoken word into a moving cultural experience.

Taking place on Thursday, July 16, at Kata Garden Bistro, the gathering offers visitors an intimate encounter with one of the defining conversations shaping contemporary Ghana and the wider African continent.

Migration has long been woven into Ghana’s history. People have crossed regions and borders in search of education, employment, safety, and opportunity, carrying with them languages, traditions, and personal stories.

When You See Me shines a light on those experiences from a feminist perspective, exploring the resilience, identity, and emotional realities of women navigating new homes while holding onto their roots.

The evening brings together an impressive lineup of creative voices. Award-winning Ghanaian novelist Peace Adzo Medie, celebrated for her internationally acclaimed novel His Only Wife, will present a short story reading.

Audiences will also enjoy a live vocal performance by falè, spoken-word poetry by Twita, and dramatic excerpts performed by Lododo Arts Foundation. Together, these performances create a rich artistic conversation where literature, theatre, and music complement one another, offering different perspectives on belonging and displacement.

Set within the relaxed surroundings of Kata Garden Bistro on Blohum Road, the event promises an atmosphere where audiences can connect with artists and fellow guests in an informal setting.

The venue’s garden environment encourages reflection, making it an ideal backdrop for stories that ask listeners to consider empathy, identity, and shared humanity.

For international visitors, the event offers an authentic introduction to Ghana’s contemporary literary and performing arts scene beyond traditional tourist attractions.

For Ghanaians, it provides an opportunity to engage with conversations that continue to shape families and communities across the country.

Whether you are passionate about books, theatre, poetry, or cultural exchange, When You See Me demonstrates how storytelling can bridge distances, challenge assumptions, and remind us that every journey begins with a story waiting to be heard.

There is a quiet revolution in taking a word once used as an insult and turning it into a badge of imagination.

That transformation lies at the heart of KUBOLOR: In Search of Greener Pastures, where artist Kwabena Ofe Gideon Amponsah invites audiences to see wandering not as failure, but as a form of curiosity that shapes cities, identities, and creative expression.

In Ghana, “kubolor” has long described someone perceived as drifting without direction. Amponsah challenges that stereotype by presenting movement as an act of discovery.

His richly textured tufted works—created using a technique he taught himself after encountering it online—carry the marks of experimentation.

Thick layers of yarn, bold silhouettes, and tactile surfaces encourage viewers to slow down and consider the value of process as much as the finished artwork.

The exhibition draws much of its emotional power from Accra’s Kantamanto Market, one of the world’s largest second-hand clothing hubs.

Rather than treating discarded garments as waste, Amponsah transforms them into sculptures, wearable art, and immersive installations. Each fabric fragment carries traces of another life, suggesting that materials, like people, can find new purpose through reinvention.

That conversation extends into fashion through a collaboration with Ghanaian label DARKOS. The garments are not presented as merchandise but as living artworks, blurring the boundaries between clothing, sculpture, and performance.

Their contemporary forms encourage reflection on gender, identity, and the ways the body communicates personal history.

The exhibition’s installation mirrors the visual rhythm of Kantamanto itself. Hanging textiles, layered displays, and improvised arrangements recall the ingenuity of market traders, turning everyday merchandising techniques into a carefully orchestrated artistic language.

Visitors move through a space that feels at once familiar and theatrical, where commerce and creativity exist side by side.

Running until Monday, July 27, 2026, KUBOLOR: In Search of Greener Pastures leaves a lasting impression because it reframes a familiar Ghanaian expression with generosity and imagination.

It argues that the search for greener pastures is rarely about escape. More often, it is about resilience, reinvention, and the courage to keep moving until overlooked stories—and overlooked materials—find their place in the spotlight.

It’s Tuesday, July 14, and as always, Ghana’s social media sphere is a vibrant, chaotic, and endlessly entertaining reflection of the national mood.

The conversations that took over timelines yesterday were a classic Ghanaian blend of sports passion, internet drama, and the biting wit that defines our digital culture.

Leading the charge was the news of Black Stars coach Carlos Queiroz’s salary. Sports Minister Kofi Adams confirmed the Portuguese tactician earns $80,000 monthly, a figure that immediately ignited fiery debates about value for money and investment in local football.

As fans scrutinized the return on investment after the team’s Round of 16 World Cup exit, the nation’s collective sports fervor was also being celebrated through a viral image of an egg seller who painted her entire stock in Ghana’s red, gold, and green ahead of the Colombia clash, a gesture of grassroots patriotism that warmed hearts.

However, the digital streets were equally focused on the ongoing drama surrounding wealthy young figures.

The extradition of businessman Abu Trica to the US cast a long shadow, with speculation linking other influencers, including forex trader Kojo Forex, to potential FBI interest.

In a move that perfectly encapsulates Ghanaian social media, Kojo Forex did not issue a defensive statement but responded with a lighthearted plea to the FBI for a “Free Visa”.

This blend of serious allegations and comedic deflection is a hallmark of our online culture, drawing in thousands of reactions.

Meanwhile, Prophet Roja sent social media into a frenzy with a cryptic call for Abu Trica’s family to meet him, sparking skepticism and a flurry of memes about the “business” of modern-day prophecies.

The mood was one of cautious cynicism, a reminder of how Ghanaians use humor and debate to process serious news.