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Protesters Storm Nigeria’s New $25m Museum of West African Art, Forcing Opening to Be Cancelled

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The Museum of West African Art in Benin City, Nigeria. Photo Tolulope Sanus/Courtesy MOWAA

What was meant to be a triumphant week for African art turned into chaos last month when dozens of protesters forced their way onto the campus of Nigeria’s long-awaited Museum of West African Art (MOWAA) in Benin City, shutting down preview events and postponing the public opening.

Guests—journalists, curators, and dignitaries flown in from Europe and the United States—were hurriedly escorted out of the gleaming new buildings as demonstrators surged through a side gate, shouting demands and insults. The remaining workshops and talks were cancelled immediately.

MOWAA’s management blamed “disputes between the previous and current state administrations” and insisted the museum is an independent non-profit with no ties to former Edo State governor Godwin Obaseki.

Yet locals who spoke to the BBC painted a different picture: anger that a project once promised as the future home of the repatriated Benin Bronzes has been “hijacked” by outsiders.

The root of the fury is painfully familiar. In 2023, President Bola Tinubu signed a gazette handing ownership of all returned bronzes to the Oba of Benin, Ewuare II. MOWAA, designed by Ghanaian-British star architect Sir David Adjaye and funded with $25 million from German, French, British, and private donors, suddenly lost the very artefacts it was built to showcase. The museum pivoted to contemporary art and research, even quietly dropping “Edo” from its name—an insult the current Edo State government has never forgiven.

The Oba has since announced his own Benin Royal Museum, still years from completion. Meanwhile, MOWAA’s 15-acre campus—complete with a rainforest gallery, conservation labs, and a boutique hotel—stands ready but trapped in a tug-of-war over land, legacy, and who truly speaks for Benin’s history.

Sandra A. Babu-Boateng, a cultural commentator, summed it up bluntly on Instagram:

“We can raise $25 million and build a masterpiece that rivals anything in London or Washington, but if the palace, the government, and the funders can’t sit in one room and agree on governance, the doors stay locked. The building is finished. The system is not.”

Perspective

This is more than a ribbon-cutting gone wrong. It is the latest chapter in a century-long struggle over who owns Africa’s stolen heritage—and who gets to profit from its return.

The bronzes themselves, scattered across Europe for 127 years, have become pawns in a very modern Nigerian power play.

Until the Oba, the state, and MOWAA find a way to share both the artefacts and the spotlight, one of the continent’s most ambitious cultural projects will remain a beautiful museum that nobody can enter.

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Africa Watch

Two Permanent Security Council Seats and a Veto: Africa Makes Bold Demand at the UN

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Africa has made its boldest demand yet for reform of the United Nations Security Council: at least two permanent seats with veto powers, and five non-permanent seats for the continent.

Vice-President Kashim Shettima of Nigeria delivered the demand while presenting President Bola Tinubu’s national statement at the 81st UN General Assembly in New York, positioning Africa’s case as both a moral imperative and a necessary correction to a global governance structure built for a bygone era.

“The world of 2026 cannot remain captive to the distribution of power in 1945,” Shettima declared, drawing a sharp contrast between the Security Council’s post-World War II origins and today’s geopolitical realities.

A Longstanding Demand

Nigeria’s position is consistent with the Ezulwini Consensus and Sirte Declaration, adopted as the Common African Position. Under this framework, Africa seeks at least two permanent seats with all existing privileges, including veto power for as long as the privilege exists, alongside five non-permanent seats on the Council.

The African Union reaffirmed the demand in May, stating that Africa’s exclusion from permanent representation constituted a historical imbalance requiring correction.

Shettima argued that institutions claiming authority to act for humanity must adequately reflect the people on whose behalf decisions are taken. Africa, he noted, is home to 1.5 billion people and constitutes the largest regional voting bloc in the General Assembly—yet remains without a single permanent seat.

The 1945 Problem

The Security Council has five permanent members: China, France, Russia, the United Kingdom, and the United States, each possessing veto power. This configuration has remained unchanged since the UN’s founding in 1945, apart from a single expansion of non-permanent membership from six to ten in 1965.

Africa currently has no permanent representative on the Council.

Shettima said Africa could no longer remain outside permanent membership while issues concerning the continent continued to occupy substantial attention of the Council. He linked Security Council reform to efforts to restore confidence in multilateralism amid widening geopolitical divisions.

“Differences among nations must not obscure their common humanity or responsibility to preserve peace for future generations,” he said.

Nigeria’s Peacekeeping Record

Shettima recalled Nigeria’s contributions to international and regional peace operations in Liberia, Sierra Leone, Darfur, Mali, and The Gambia. He said Nigeria also continues to work through ECOWAS, the African Union, and Gulf of Guinea mechanisms, covering mediation, counter-terrorism, democratic governance, and maritime security.

According to him, these efforts demonstrate Nigeria’s commitment to international peace and security—and its readiness to assume greater responsibility on the global stage.

A Warning Against Propaganda

The Vice-President also warned against a global environment where propaganda blurred distinctions between victims and aggressors and complicated accountability. He maintained that an inclusive and effective UN remained indispensable to global peace and sustainable development.

Shettima reaffirmed Nigeria’s commitment to the UN Charter and international cooperation, saying Nigeria supported an international system where diplomacy takes precedence over coercion and international law guides relations among states.

He identified the conflict in Sudan and other theatres as requiring urgent diplomacy because of their humanitarian, economic, and geopolitical consequences.

The Road Ahead

Nigeria’s demand comes amid renewed calls by African leaders for reforms to an institution whose permanent membership remains unchanged since its creation. The African Union’s preferred reform model provides for at least two permanent African seats, including veto privileges while existing members retain them, and five non-permanent seats.

Whether the five permanent members, particularly China, Russia, and the United States, will support a reform that dilutes their power remains uncertain. Previous reform efforts have stalled for decades.

But Shettima made clear that Africa’s patience is wearing thin. The continent, he said, remains committed to a multilateral order capable of responding more credibly to 21st-century realities.

“The world of 2026 cannot remain captive to the distribution of power in 1945,” he repeated, leaving little doubt that Africa intends to keep pressing until its voice is heard, and its seat secured.

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Africa Watch

Return to Wakanda: Is Afrobeats Set for Another Marvel Triumph?

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The fictional kingdom of Wakanda may be thousands of miles away from Lagos, Accra, and Johannesburg, but its soundscape remains deeply tied to the rhythms of the African continent.

Reports circulating across social media and film databases suggest that Nigerian megastar Burna Boy could be making a high-profile return to the Black Panther franchise.

According to credit listings briefly spotted on IMDb, the Grammy-winning “African Giant” is featured among the music contributors for Marvel Studios’ anticipated next chapter in the Wakandan saga.

The listed lineup also features Nigerian singer CKay, South African pop phenom Tyla, and American hip-hop icon Kendrick Lamar, who curated the record-breaking original Black Panther album in 2018.

For fans across the continent, the news has sparked immediate celebration. The Black Panther franchise has consistently served as a global megaphone for modern African culture.

When Wakanda Forever debuted, Burna Boy’s haunting track “Alone” stood out as one of the emotional pillars of the film’s soundtrack.

Rejoining the lineup alongside hitmakers like CKay and Tyla signals a continued commitment by film directors and music supervisors to keep contemporary African sounds at the heart of Hollywood’s biggest blockbuster universe.

However, music enthusiasts and industry insiders know that online database entries carry a major caveat.

IMDb listings are frequently crowdsourced or updated ahead of formal production stages, meaning unconfirmed cast and crew additions can circulate long before studio executives step in. Marvel Studios has maintained its trademark secrecy, offering no official tracklist or artist confirmations.

Whether the current roster proves accurate or undergoes shifts before release, the mere prospect highlights Afrobeats’ firmly established footprint in global pop culture.

Until Marvel officially drops the needle, fans will be keeping a close watch—and hoping the African Giant lands back in Wakanda.

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Africa Watch

British-Nigerian Influencer Dies After Penis Enlargement Procedure in Thailand

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A British-Nigerian businessman and social media influencer died from a pulmonary embolism after undergoing a penis enlargement procedure in Thailand, a UK coroner’s inquest has heard.

Igho “Tiny” Ubiribo, also known as “Ego”, was 43 when he died in Bangkok following complications from the cosmetic procedure during a trip to Thailand with his wife.

Evidence presented at the inquest said Ubiribo had 40ml of hyaluronic acid and lidocaine injected into his penis at an unnamed clinic in March.

Shortly after the procedure, he developed chest pain and collapsed twice at his hotel.

He was taken to Sukhumvit Hospital, where doctors suspected a pulmonary embolism — a potentially fatal blockage of a blood vessel supplying the lungs.

His condition deteriorated despite emergency treatment, with medical staff reportedly performing CPR for more than 100 minutes.

Ubiribo died in the early hours of March 6.

His body was subsequently repatriated to the UK for further examination. A post-mortem reportedly detected cellular filler material in his lungs consistent with hyaluronic acid, the substance used during the cosmetic procedure.

Evidence presented to the inquest indicated that the material found in his lungs matched the filler administered during the treatment.

The coroner concluded that the cosmetic procedure had caused the fatal pulmonary embolism.

The case highlights the potentially serious complications associated with injectable cosmetic procedures, particularly when performed outside a patient’s home country. Pulmonary embolisms can occur when material enters the bloodstream and travels to the lungs, where it can obstruct blood flow and become life-threatening.

Ubiribo’s death has also drawn attention to the risks surrounding cosmetic procedures undertaken abroad, where patients may face unfamiliar medical standards, follow-up arrangements and emergency care systems.

The circumstances of his death were examined during the UK inquest as authorities sought to establish how the procedure ultimately led to the fatal complication.

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