In Eric Gyamfi’s latest exhibition in Accra, the camera behaves less like an eye and more like a restless spirit. Mirrors split bodies into fragments, corridors...
Before the first sip is taken at many Ghanaian gatherings, a small portion of the drink belongs to someone unseen. A splash of schnapps hits the...
There’s a moment, somewhere between shaping wet clay with your hands and watching it harden under the sun, when Ghana stops being a destination and starts...
By the time a trotro rattles from a quiet Accra suburb into the dense energy of Jamestown, an entire theatre of human experience has already unfolded....
The words arrived before the movement did—cold, clinical, almost accusatory—flashing across an LED screen as if attempting to pin a living body into fixed meaning. Then...
Long before “creative economy” became a fashionable policy phrase, Ghana was already staging a cultural experiment that filled hotels, packed concert grounds and brought Africans from...
Asantehene Otumfuo Osei Tutu II used the second Otumfuo Osei Tutu II Art Awards in Kumasi to push forward the Asante Kingdom’s international campaign for the...
At first glance, the ropes look like tangled language. Thick strands of jute twist across suspended surfaces like unfinished sentences or symbols from a forgotten civilization....
There is a particular soundscape to Accra that rarely makes it into official archives: the bargaining cries at Makola, the impatient horns trapped in traffic at...
The first thing that confronts visitors inside Berj Gallery is not beauty in the traditional sense. It is tension. Scraps of fishnet hang beside layered batik....
