Culture
‘His Ghost Is Tormenting Us’: Aunt of Late Highlife Legend Daddy Lumba Cries Out Over Burial Secrecy
The legacy of highlife legend Daddy Lumba is being overshadowed by a painful family dispute that has left relatives tormented and seeking answers.
An aunt of the late musician has publicly cried out over the family’s inability to access his body or know the location of his grave, describing the situation as a source of ongoing spiritual and emotional distress.
Addressing the media on February 17, 2026, the aunt, whose identity was not disclosed in a report, expressed profound disappointment in the family head, the Abusuapanyin, for blocking relatives from seeing Lumba’s body after his death or being informed of his burial place.
“Abusuapanyin disappointed us, and it’s a big disgrace to us, the family. I’ve never seen or heard before that someone will die and we can’t see his body till date,” she stated, her voice heavy with grief and frustration.

A Family in Turmoil
According to the aunt, the secrecy surrounding the legend’s final resting place has created deep rifts within the family and has had a tangible impact on the living.
“We are really suffering. When you’re sleeping, he would just be on you. His ghost keeps tormenting us,” she revealed, describing unsettling experiences that some family members attribute to the unresolved situation. “We are pleading to everyone to put us into prayers.”
She explained that the family is now deeply divided, with members holding conflicting views on how to proceed.
“There’s a lot going on and everyone has something to say. For us, we are behind the truth. Since the family is divided, some are happy and others too are sad,” she shared.
A Plea for Resolution
The aunt, who described herself as a busy professional, stated that she has set aside her personal commitments out of love and duty to the family.
“I’m a busy person, but I’m here because of the love I have for the family. Some of you are not family members, but we’ve seen the love you’ve been showing us and we appreciate you all,” she said, acknowledging the public’s concern.
Despite the obstacles, she vowed that the family would not give up its quest.
“We will try as much as we can no matter what, to find Daddy Lumba’s body,” she added.
Background
Daddy Lumba, born Charles Kwadwo Fosu, passed away in July 2025, leaving behind a timeless catalogue of highlife music that continues to resonate with fans across Ghana and beyond. His death was a monumental loss to the Ghanaian music industry, but this latest revelation suggests that unresolved family matters have cast a long shadow over his memory.
The role of the Abusuapanyin (family head) in Akan tradition is to oversee family matters, including funerals and the care of ancestral remains. The aunt’s public statements represent a serious challenge to that authority and highlight a breakdown in traditional family structures.
Arts and GH Heritage
El Anatsui at 80: The Artist, Teacher and Cultural Force Behind a Global Legacy
The most revealing measure of an artist’s legacy may not be the number of museums that display their work, but the number of people whose creative lives changed because they encountered it.
For El Anatsui, that legacy stretches far beyond the monumental sculptures that made his name.
That idea sits at the heart of El Anatsui: The Man, the Myth, the Legend at 80 and Counting, a 411-page festschrift launched at the University of Nigeria, Nsukka.
Bringing together more than 100 contributors from Africa, Europe and North America, the publication looks at an artist whose influence has been as much about people and ideas as materials.

Born in Ghana and based for decades in Nigeria, Anatsui transformed humble discarded objects—bottle caps, aluminium strips and copper wire—into vast, shimmering works that challenge the boundaries between sculpture, textile, architecture and memory.

Yet his four decades at Nsukka reveal another side of his contribution.
Through teaching and mentorship, he became an important figure in the development of the Nsukka School of Art, helping create an intellectual environment where African artists could question inherited definitions of art and material.

That history gives the festschrift particular weight. It is not simply an account of an internationally celebrated career; it is a record of how one artist became part of an institution’s cultural DNA.
For Ghana, Anatsui’s story also carries a wider significance.

His journey from Ghanaian roots to international prominence demonstrates how African artists can move through multiple cultural landscapes without surrendering the histories that inform their work.
The Nsukka celebration therefore feels larger than a birthday tribute.

It is an acknowledgment that Anatsui’s most enduring work may be the artistic possibilities he opened for others—and the generations still learning how to transform what they inherit into something entirely their own.
Festivals & Events
When the Harvest Comes Home: Experiencing Paragbeile in Tumu
The first signs of Paragbeile arrive with the harvest. In Tumu, in Ghana’s Upper West Region, the final weeks of January and the opening days of February bring a welcome change of rhythm as farm produce fills the community and thanksgiving takes centre stage.
Music carries through the town, dancers take to the gathering spaces, and families come together to celebrate what the land has provided.
Paragbeile is a thanksgiving harvest festival rooted in the agricultural life of the people of Tumu. At its heart is a simple but deeply meaningful idea: after months of cultivation, the community pauses to give thanks for a successful harvest.
The crops that have sustained households are no longer simply food from the farm; during the festival, they become symbols of work, survival, abundance and hope for another productive season.
One of the festival’s defining features is the display of farm produce. Harvested crops are brought into the public celebration, giving visitors a visual sense of the agricultural wealth of the area.
These displays also honour the farmers whose labour begins long before the festivities. Alongside them come music, traditional dancing and merry-making, transforming the thanksgiving into a shared social occasion.
The festival’s significance extends beyond the celebration itself. For families and communities, Paragbeile creates an opportunity to strengthen relationships, reconnect generations and acknowledge the collective effort behind the harvest.
It also provides a moment to pass cultural knowledge from older members of the community to younger people, keeping local traditions connected to contemporary life.
For visitors, Paragbeile offers something that cannot be captured by a photograph of Ghana’s landscapes alone. It is an invitation to see how agriculture, gratitude, music and community come together in everyday cultural life.
To experience Paragbeile in Tumu is to encounter Ghana through the people who cultivate its soil and celebrate its seasons—a reminder that some of the country’s most meaningful cultural experiences begin with something as fundamental as giving thanks for food.
Festivals & Events
From Problems to Possibilities: Inside Accra’s Free Business Analysis Workshop
What if the key to solving a difficult business problem is not having all the answers, but knowing which questions to ask?
That is the idea behind Think Like a Business Analyst, a free, in-person workshop coming to Accra on Friday, August 14, 2026.
A Practical Introduction to Business Analysis
Organised by the Centre for Business Analysis, the one-hour session will take place from 5:30 p.m. to 6:30 p.m. at 17 Garden Road, East Legon.
Rather than presenting business analysis as a specialised corporate skill reserved for experienced professionals, the workshop is designed to show how its methods can be applied to everyday organisational challenges.
Business Analysts play an important role in helping organisations understand problems, identify opportunities and make better-informed decisions.
In Ghana’s growing professional and entrepreneurial environment, those skills have relevance across sectors, from technology and finance to human resources, accounting and project management.
Learning Through Real Problems
Participants can expect a hands-on introduction to the discipline, including practical techniques and real-world examples of how Business Analysts approach complex challenges.
The workshop will also explore why the profession is increasingly in demand and offer guidance for people considering it as a career.
The invitation extends beyond established professionals. Students, graduates, entrepreneurs, project managers, IT professionals, accountants, HR practitioners and anyone curious about business analysis are welcome.
A Useful Evening in Accra
For international visitors interested in Ghana’s contemporary professional landscape, the workshop offers an unusual way to experience the country’s business community beyond traditional tourism. It is also an opportunity to meet people interested in innovation, career development and better ways of working.
For Ghanaians, particularly students and early-career professionals, the event could provide practical insight into a career path that connects business thinking with problem-solving.
Admission is free, making the workshop an accessible opportunity to spend an evening learning a skill with applications far beyond the classroom. Sometimes, the most valuable career lesson begins with learning how to look at a problem differently.
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