Connect with us

Culture

‘His Ghost Is Tormenting Us’: Aunt of Late Highlife Legend Daddy Lumba Cries Out Over Burial Secrecy

Published

on

The legacy of highlife legend Daddy Lumba is being overshadowed by a painful family dispute that has left relatives tormented and seeking answers.

An aunt of the late musician has publicly cried out over the family’s inability to access his body or know the location of his grave, describing the situation as a source of ongoing spiritual and emotional distress.

Addressing the media on February 17, 2026, the aunt, whose identity was not disclosed in a report, expressed profound disappointment in the family head, the Abusuapanyin, for blocking relatives from seeing Lumba’s body after his death or being informed of his burial place.

“Abusuapanyin disappointed us, and it’s a big disgrace to us, the family. I’ve never seen or heard before that someone will die and we can’t see his body till date,” she stated, her voice heavy with grief and frustration.

Late Daddy Lumba’s Aunt

A Family in Turmoil

According to the aunt, the secrecy surrounding the legend’s final resting place has created deep rifts within the family and has had a tangible impact on the living.

“We are really suffering. When you’re sleeping, he would just be on you. His ghost keeps tormenting us,” she revealed, describing unsettling experiences that some family members attribute to the unresolved situation. “We are pleading to everyone to put us into prayers.”

She explained that the family is now deeply divided, with members holding conflicting views on how to proceed.

“There’s a lot going on and everyone has something to say. For us, we are behind the truth. Since the family is divided, some are happy and others too are sad,” she shared.

A Plea for Resolution

The aunt, who described herself as a busy professional, stated that she has set aside her personal commitments out of love and duty to the family.

“I’m a busy person, but I’m here because of the love I have for the family. Some of you are not family members, but we’ve seen the love you’ve been showing us and we appreciate you all,” she said, acknowledging the public’s concern.

Despite the obstacles, she vowed that the family would not give up its quest.

“We will try as much as we can no matter what, to find Daddy Lumba’s body,” she added.

Background

Daddy Lumba, born Charles Kwadwo Fosu, passed away in July 2025, leaving behind a timeless catalogue of highlife music that continues to resonate with fans across Ghana and beyond. His death was a monumental loss to the Ghanaian music industry, but this latest revelation suggests that unresolved family matters have cast a long shadow over his memory.

The role of the Abusuapanyin (family head) in Akan tradition is to oversee family matters, including funerals and the care of ancestral remains. The aunt’s public statements represent a serious challenge to that authority and highlight a breakdown in traditional family structures.

Arts and GH Heritage

The Stories We Live With: Inside Nubuke Foundation’s Weight of the Ordinary

Published

on

By

A family photograph resting on a shelf may look like decoration. A half-finished piece of woven cloth may seem incomplete. A living room may simply be a place to sit.

At Nubuke Foundation in Accra, however, these familiar things are being asked to tell deeper stories.

Weight of the Ordinary, a group exhibition featuring Josiah Tsibu Manu, Priscilla Agbeti, Blanche Boni-Mississo, King David Osabutey (Kakalicka) and Sena Burgundy Appau, turns its attention to the overlooked details of daily life—and finds history hiding there.

Manu’s domestic interiors are particularly evocative. Furniture, photographs and household details become unofficial archives, recalling how Ghanaian homes often carry memories that never enter formal histories.

In Agbeti’s unfinished woven works, meanwhile, labour refuses to disappear behind polished craftsmanship.

The incomplete becomes deliberate, leaving viewers to consider the economic and social histories carried by textiles.

Elsewhere, Boni-Mississo examines how spaces determine who can move freely and who is kept at the margins. Kakalicka draws on Akan cosmology through his Ɔhɔhoɔ, or stranger, connecting questions of displacement and belonging with indigenous ideas.

Appau’s monumental blue figures turn inward, contemplating the uncertainty and possibility of becoming.

Together, the artists suggest that the everyday is not neutral. It is where memory is stored, identities are formed and social boundaries are experienced.

For audiences in Ghana and abroad, the exhibition offers an invitation to look again at what familiarity can conceal. Sometimes, the objects closest to us have the most to say.

Continue Reading

Festivals & Events

Lagos Meets Accra: Zephans & Co Brings Summer Style to the City

Published

on

By

When Lagos’ unmistakable style arrives in Accra, expect colour, movement and plenty of personality.

This summer, Zephans & Co is bringing its distinctive fashion world to Ghana’s capital with a pop-up designed to celebrate African creativity, craftsmanship and contemporary style.

The Lagos-based fashion brand’s upcoming Summer Pop-Up offers shoppers an opportunity to experience its latest collection in person while exploring the cultural influences woven into its designs.

Known for pieces that combine striking prints with elegant silhouettes, Zephans & Co draws on textiles and techniques deeply connected to West African fashion traditions.

Visitors can expect handwoven Akwete textiles, hand-dyed Adire, flowing organzas and luxurious silks, alongside the statement pieces that have earned the brand a following among women across the world.

Each fabric brings its own history and visual language.

Akwete, associated with Igbo weaving traditions in Nigeria, and Adire, the celebrated Yoruba resist-dyeing tradition, demonstrate how heritage can be carried into contemporary wardrobes.

But this is more than a shopping stop. The pop-up creates a space where fashion becomes a meeting point between Lagos and Accra—two West African cities with vibrant creative communities and a shared appreciation for bold self-expression.

For international visitors, it offers an intimate introduction to the region’s fashion culture beyond the usual tourist attractions.

For Ghanaians and other Africans in Accra, it is an opportunity to reconnect with familiar fabrics, craftsmanship and the wider story of African design.

With good vibes, beautiful clothing and an atmosphere built around connection and creativity, the Zephans & Co Summer Pop-Up promises an afternoon worth adding to an Accra itinerary. Come for the clothes, stay for the culture, and leave with a piece that tells a story.

Continue Reading

Festivals & Events

Dzawuwu: The Volta Festival That Celebrates Agave Bravery

Published

on

By

The first beat of the drum echoes through Dabala before sunrise, and within moments the town is alive.

Chiefs wrapped in colourful kente and richly woven cloth emerge in a grand procession, their gold ornaments catching the morning light as dancers answer the rhythm with graceful, energetic steps.

For the Agave people of Ghana’s Volta Region, this is more than a celebration. It is the return of a story carried from one generation to the next.

Held each February in the Agave District, the Dzawuwu Festival honours the courage and resilience of the Agave people.

It commemorates the bravery of their ancestors, whose determination helped shape the identity and unity of the community.

Every drumbeat and ceremonial procession becomes a reminder that history is not confined to books—it can be heard, seen and felt in the streets.

The festival’s most striking moments unfold as traditional leaders parade through the town, accompanied by drummers, singers and dancers whose performances preserve rhythms passed down for generations.

The atmosphere is both festive and deeply respectful, as families gather to celebrate their shared heritage while visitors are welcomed into the experience.

Beyond its colourful spectacle, Dzawuwu strengthens bonds within the community. It brings together relatives who return home from across Ghana and abroad, creating opportunities to reconnect, honour elders and pass cultural traditions to younger generations.

The festival also serves as a platform for showcasing Agave customs, music and dance to a wider audience.

For travellers seeking an authentic cultural experience, Dzawuwu offers something unforgettable: the chance to witness a living tradition where bravery is remembered not with silence, but with music, movement and the enduring pride of a people who continue to celebrate their roots.

Continue Reading

Trending