Sights and Sounds
Fort Amsterdam: The Dark History of Britain’s First Fort in Africa
ACCRA, Ghana — Long before it became a point of interest for tourists and historians, a crumbling structure overlooking the Atlantic Ocean in Ghana’s Central Region held a darker secret.
Fort Amsterdam, originally known as Fort Cormantin, stands as a powerful reminder of the transatlantic slave trade, serving not only as Britain’s first foothold in Africa but also as the site of what is believed to be the first dedicated slave dungeon on the Gold Coast.
Constructed in 1631 at Abandze, the fort was initially established by the English as a trading post for gold and ivory. Its strategic location and robust architecture, featuring a rectangular layout with two square and two round bastions, made it a prime asset in the competition for control of the West African coast. However, its purpose—and its legacy—would dramatically shift.
The structure eventually became a key hub in the transatlantic slave trade. A distinctive southeastern bastion, originally designed as a hollow structure with grated roof ventilation, was later repurposed into a prison for enslaved Africans.
Historians believe this was the first facility of its kind on the Gold Coast. It was from this fort that thousands of enslaved men, women, and children were shipped across the Atlantic, becoming widely known in the Caribbean and the Americas as “Coromantee”—a name derived from the fort’s original moniker, Cormantin.
Tour guide Joseph Kofi Kakraba, speaking in an interview with GhanaWeb’s Estey Atisu, delved into the fort’s evolution.
“The fort had no dungeon and only one exit. It is the biggest fort built by the British in 1631 for trade, not slavery,” he explained.

However, after changing hands from the British to the Dutch, its role transformed. Under Dutch rule, it became an important hub for gold, ivory, and, increasingly, enslaved people, cementing its place in the brutal history of the transatlantic slave trade.
The fort’s history is also etched into its very walls. The northern bastion and curtain wall were built solidly with stone and mortar, while other sections were constructed using earth filling between two stone walls, a method that has led to structural cracks and disintegration over the centuries, leaving parts of the fort in ruins.
Today, as Ghana continues to grapple with the legacy of the slave trade through initiatives like the “Year of Return,” Kakraba is urging both Ghanaians and the global diaspora to visit the site.
He stressed the importance of preserving its history for future generations, ensuring that the story of Fort Cormantin—and the “Coromantee” who passed through it—is never forgotten. The fort stands not just as an architectural relic, but as a somber monument to a history that connected two continents in the most tragic of ways.
Sights and Sounds
The Twi-Dubbing Revolution: What Ghana’s Love Affair with Foreign Telenovelas Says About Local Storytelling
One of Ghana’s most remarkable television success stories did not begin in a studio in Accra. It arrived from thousands of kilometres away—complete with elaborate weddings, family feuds and endless cliffhangers.
Yet what transformed these imported dramas into a national obsession was not where they came from, but how they were retold.
For many Ghanaians, the memory is instantly familiar. A dramatic scene appears on screen, but instead of Hindi, the actors speak fluent Twi. Mothers pause their evening chores, taxi drivers debate the latest betrayal, and hair salons turn up the television so everyone can follow the unfolding drama.
Somehow, stories produced for audiences in India suddenly felt as though they belonged in Kumasi, Accra, or Sunyani.
The phenomenon began in the early 2010s when Ghanaian television stations searched for affordable but engaging programming. Indian, Mexican, and Philippine telenovelas offered gripping plots and large episode catalogues.
The real breakthrough, however, came when broadcasters invested in local-language dubbing.
Rather than translating dialogue word for word, Ghanaian voice actors and scriptwriters adapted conversations into expressions that resonated with local audiences. Proverbs replaced literal translations.
Humour reflects everyday Ghanaian life. Arguments sounded like family disputes overheard in neighbourhood compounds. The result was something far more powerful than translation—it became cultural adaptation.
Series such as Kumkum Bhagya gained devoted followings, proving that audiences respond as much to emotional authenticity as they do to familiar settings. Characters became household names, and fictional families were discussed with the same passion reserved for real-life celebrities.
The popularity of Twi-dubbed television also demonstrated the remarkable flexibility of language. It showed that storytelling can cross continents when adapted with care and cultural understanding.
Viewers were not simply consuming foreign entertainment; they were experiencing stories through a distinctly Ghanaian lens.
Yet the success of these productions raises an important question about the country’s creative future.
If Ghana possesses the talent to reinterpret international dramas so effectively, could that same creativity produce original television series capable of captivating audiences both at home and abroad?
The country’s film and television industry already has the ingredients: accomplished actors, skilled voice artists, compelling oral traditions, and generations of storytellers.
The enthusiastic audiences showed for dubbed dramas suggest there is an equally strong appetite for locally produced stories that reflect contemporary Ghanaian life while maintaining the emotional intensity viewers have come to enjoy.
The legacy of the Twi-dubbing era extends beyond entertainment. It proved that language is more than a communication tool—it is a bridge between cultures.
It also reminded broadcasters and filmmakers that audiences value stories that feel emotionally familiar, regardless of where they originate.
Perhaps the next television phenomenon will not begin with an imported script waiting to be translated. It will begin with a Ghanaian story, told in a Ghanaian voice, and shared confidently with the rest of the world.
Sights and Sounds
How Accra’s Artisan Shopping Tours Are Giving Visitors a Taste of Ghana’s Creative Spirit
Most travellers leave a destination with a suitcase full of souvenirs. The lucky ones leave with stories behind every purchase.
That is the promise of Accra’s guided souvenir shopping tour, an experience that transforms a simple shopping trip into a journey through Ghana’s thriving creative economy.
Instead of wandering unfamiliar markets or guessing which handcrafted items are genuinely local, visitors are introduced to the city’s artisan culture with the guidance of someone who understands both the products and the people behind them.
The experience offers flexibility from the outset. Travellers can choose a fully chauffeured tour that takes care of transportation throughout the day or opt for a “Meet Me There” package for those who prefer to make their own way to the starting point.
Whichever option they select, guests are welcomed with complimentary Ghanaian chocolate and a refreshing local drink, setting the tone for an outing that celebrates the country’s craftsmanship as much as its hospitality.

For many international visitors, shopping in Ghana can be both exciting and overwhelming. Accra’s markets and artisan centres are filled with colourful textiles, hand-carved wooden sculptures, beadwork, leather goods, woven baskets, jewellery, and contemporary African fashion accessories.
Without local knowledge, however, it can be difficult to distinguish handmade treasures from mass-produced imports or to understand the cultural stories behind each item.
A guided shopping experience bridges that gap. Visitors gain insight into traditional craftsmanship, the symbolism woven into many Ghanaian designs and the techniques that have been passed down through generations of artisans.
Every purchase becomes more meaningful because it carries a connection to the maker and the community where it originated.
The tour also reflects a growing shift in global travel. Increasingly, tourists are looking beyond famous landmarks in search of authentic experiences that support local businesses and create lasting memories.
Rather than collecting generic souvenirs, many travellers now seek products with cultural significance and a clear sense of place.
For Accra, this trend presents an opportunity to showcase one of its greatest strengths: creativity. Ghana’s capital has become a dynamic centre for art, fashion, design and entrepreneurship, where traditional craftsmanship comfortably exists alongside contemporary innovation.
Guided artisan tours introduce visitors to that creative energy while encouraging responsible tourism that benefits local makers.
The tasting element adds another layer to the experience. Ghana is one of the world’s leading cocoa producers, making locally produced chocolate a fitting introduction to the country’s agricultural heritage.
Pairing it with a traditional local beverage creates a warm welcome that appeals to the senses before the shopping even begins.
In the end, the most valuable souvenir may not be the handcrafted basket or beaded necklace tucked into a travel bag. It is the understanding that every item tells a story—one shaped by Ghanaian culture, creativity and the skilled hands that keep those traditions alive.
Sights and Sounds
From Fantasy Coffins to Sunset by the Sea: Exploring Accra’s Living Art Scene
The best way to understand Accra isn’t from behind the window of a tour bus. It is on foot, where every street, gallery and workshop reveals another layer of Ghana’s artistic identity.
An afternoon culture walk through the capital offers precisely that opportunity, bringing visitors face to face with traditions that continue to shape the country’s creative landscape.
The journey begins in the city’s thriving arts community, where contemporary galleries showcase paintings, sculptures and mixed-media works by Ghanaian and African artists. These spaces are more than exhibition venues.
They are meeting points for ideas, where established names and emerging talents challenge perceptions of African art while celebrating stories rooted in local experience.
One of the tour’s most memorable stops introduces visitors to one of Ghana’s most distinctive artistic traditions: fantasy coffins.
At first glance, the brightly coloured creations may seem surprising. Fashioned into forms ranging from fish and cocoa pods to cameras, aeroplanes and animals, they reflect the life, profession, achievements or aspirations of the deceased.
Originating among the Ga people of southern Ghana, fantasy coffins have become internationally recognised as remarkable examples of functional art.
They represent a cultural belief that death is not an ending but a continuation of life’s journey, where individuality deserves to be honoured with imagination and craftsmanship.
Today, these extraordinary works are admired in museums and exhibitions around the world while remaining deeply connected to the communities that created them.
As the walk continues, visitors gain an appreciation for Accra’s ability to blend tradition with modern creativity.
Murals brighten neighbourhood walls, independent studios nurture young designers and artists, and conversations with local guides provide context that cannot be found in travel brochures.
Every stop becomes an invitation to understand not only the artwork itself but also the people and cultural values behind it.
The experience concludes in a quieter setting beside the Atlantic Ocean. As the afternoon fades into evening, guests gather at a beach club to enjoy a locally inspired drink while watching the sun sink below the horizon.
The relaxed atmosphere offers time to reflect on the day’s discoveries, with the rhythm of the waves replacing the bustle of the city.
For international travellers, the culture walk presents an accessible introduction to Ghana beyond its famous landmarks.
Rather than focusing solely on monuments or museums, it celebrates creativity as a living, evolving part of everyday life.
In a city where art appears in galleries, workshops, public spaces and even funeral traditions, walking becomes more than a way to get around. It becomes a journey through the imagination, resilience and cultural richness that continue to define Accra.
-
Reels & Social Media Highlights12 hours agoTribunals, Ponzi Scheme Woes, and Pan-African Victories Dominate Sunday’s Discourse
-
Arts and GH Heritage12 hours agoEchoes of Presence: How a Ghanaian Artist Turns Memory into Living Art
-
Health & Wellness12 hours agoWhy Strength Training May Be the Real Secret to Lasting Vitality
-
Sights and Sounds10 hours agoThe Twi-Dubbing Revolution: What Ghana’s Love Affair with Foreign Telenovelas Says About Local Storytelling
-
Festivals & Events10 hours agoWorldview Education Fair 2026: Where Ghana’s Global Ambitions Meet the World
-
Ghana News8 hours agoTop Newspaper Headlines from Ghana Today: Monday, July 20, 2026
-
Ghana News5 hours agoGhana’s Tribunals Bill, 2026: A Comprehensive Explainer
-
Ghana News5 hours agoGhana Pilots ‘African Numerals’ in Schools in Bid to Make Maths Less Intimidating With Africa’s Own Number System
