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Bigger Than Manhyia: Discover the Grandeur of the Assin Kushea Palace, West Africa’s Largest

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Tucked away in the quiet Central Region town of Assin Kushea lies a masterpiece of traditional architecture that is quietly redefining Ghana’s tourism landscape.

The Assin Kushea Palace, built by Nana Prah Agyensaim VI, Paramount Chief of the Owirenkyi Traditional Area, is believed to be the largest palace in West Africa—surpassing even the renowned Manhyia Palace in Kumasi in physical size and scale.

For travel influencer Gladys Cassandra Bugashie (@iamcassie_gh), the discovery was nothing short of revelation.

“I don’t even know why I am now discovering this gem,” she exclaims in a recent Instagram video that has since gone viral. “They said this is the largest palace in West Africa. Honestly, when I was coming, I just decided not to give myself any expectations. Guys, I absolutely agree this place is the biggest palace in West Africa. I am shocked, like properly shocked.”

A Vision Born from a Wife’s Encouragement

The story of how this magnificent structure came to be is as compelling as the palace itself. Speaking to Etsey Atisu, host of People & Places on GhanaWeb TV, Nana Prah Agyensaim VI revealed that the inspiration came from an unexpected source: his wife.

“I remember one day, I was talking to my wife about Kushea and she said, ‘You should build a palace o, you should build a palace before you go—you should build a palace.’ I said OK, I hear. I will; I will. Little did she know all her ‘chop money’ would go into the palace,” the chief recounted with a chuckle.

Construction began 13 years ago, and on the very same day, the chief planted a tree on the palace grounds.

“So, they have the same birthdays; the tree and the palace,” he noted. Though still not fully completed, the palace already stands as a testament to what the chief calls “inter-generational leadership”—a legacy meant to endure long after he is gone.

Grandeur on a 7.4-Acre Scale

Sitting on approximately 7.4 acres of land, the Assin Kushea Palace is a sprawling complex that defies expectations.

Unlike the more famous Manhyia Palace in the Ashanti Region—primarily a residence and historical museum for the Asantehene—the Assin Kushea Palace was conceived from the outset as a tourism and community asset.

The chief has stated that he does not intend to reside in the palace himself; rather, it is being built to promote tourism and showcase Ghanaian culture to the world.

Visitors to the palace are greeted by an imposing entrance flanked by two statues of warriors, spears and shields in hand, standing guard. Beyond lies a massive courtyard suitable for ceremonial gatherings, complete with an elevated platform where the chief presides during functions.

The architectural details tell stories. Throughout the complex, visitors will encounter numerous sculptures of dogs—the totem of the chief’s Aduana Clan. According to legend, a dog guided the clan during their migration, lighting the path with fire from its mouth. The dog represents honesty and industriousness, values that the chief has clearly embedded in his vision for the community.

More Than Just a Palace

What sets the Assin Kushea Palace apart is its multifaceted nature. The complex includes:

  • A botanical garden showcasing local flora
  • A mini-zoo housing various animals
  • A fishpond, created by the chief to address potential future fish shortages resulting from the environmental impact of illegal mining (galamsey) on the Pra River
  • Guest rooms for visitors who wish to stay overnight and immerse themselves in the peaceful environment
  • Walls adorned with African proverbs, traditional artifacts, and depictions of animals and birds

“The place is huge, neat, and very grand,” Bugashie marvels in her video. “You just stand there and you’re like, whoa, so this is actually in my country. The funny thing is, it’s quietly tucked away in the Central Region of Ghana, not even loud about it. Just sitting there like a gem.”

The Cleanest Town in Ghana

The palace is not the only point of pride for Assin Kushea. Under Nana Prah Agyensaim VI’s leadership, the town has earned the distinction of being the cleanest in Ghana . The chief recognized early that he could not compete with larger, wealthier paramountcies, so he chose to be different—focusing on sanitation as a unique selling point .

His approach was rooted in understanding Ghanaian cultural habits.

“We as Ghanaians had the tradition of throwing leaves away, when we used to eat from leaves… after you finish eating, the natural thing to do is throw the leaves away. In those days, it didn’t matter because the leaves would decompose. So, we were not littering, but the habit of throwing had been ingrained in us,” he explained. “So, when this creature called plastic came, we put our food in the plastic. After eating, we throw it away because that is the habit that we had inculcated in us. So, my problem was to stop the throwing away”.

Today, Assin Kushea’s streets are tarred, dustbins are ubiquitous, and the chief personally conducts visits to communities and schools to emphasize the importance of hygiene .

A Call to Domestic Tourism

For Bugashie, the experience carried a deeper message about how Ghanaians view their own country.

“Sometimes, we are just looking outside Ghana to find nice places to visit, but the real beauty is right here at home,” she reflects. “Trust me, you will love it. I loved it, so I’m sure you would.”

Her sentiment echoes a growing movement encouraging Ghanaians to explore their own backyard. While the slave castles of Cape Coast and Elmina draw international visitors, and the Manhyia Palace attracts those interested in Ashanti history, the Assin Kushea Palace offers something different: a living, growing monument to what visionary leadership can achieve.

Practical Information for Visitors

The Assin Kushea Palace is located approximately 12 kilometers off the Assin Fosu highway in the Central Region . Tour operators such as Obed B. offer guided day tours from Accra and surrounding areas, with itineraries that include the palace, the mini-zoo, and opportunities to learn about the history of the Akan people and the surrounding communities .

For those seeking a deeper experience, guest rooms are available on-site, allowing visitors to stay overnight and fully absorb the peaceful atmosphere that characterizes both the palace grounds and the town itself .

As Bugashie concludes in her video: “If you like traveling and exploring or just seeing nice places, please add this to your bucket list. Do not sleep on it. Go and experience it for yourself.”

The Assin Kushea Palace stands as proof that Ghana’s tourism treasures extend far beyond the well-trodden paths—and that sometimes, the most magnificent discoveries are hiding in plain sight.

Sights and Sounds

The Power of a Name: Why Diasporans Are Turning to Ghana for Spiritual Reconnection

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For many people in the African diaspora, arriving in Ghana is more than tourism. It is emotional geography — a search for something difficult to describe but instantly recognizable once found. Sometimes, that search culminates in a name.

Across parts of Ghana, ancestral naming ceremonies are creating deeply personal moments of reconnection for visitors tracing cultural and spiritual ties to the African continent.

Rooted in traditional customs practiced for generations, these ceremonies are now becoming meaningful bridges between local communities and descendants of Africans separated from their heritage through slavery and migration.

The experience often begins quietly. Family elders gather beneath canopies dressed in kente cloth while drums pulse steadily in the background.

Libation is poured to honor ancestors. Traditional leaders speak blessings over participants before new names — chosen according to birth circumstances, lineage, or spiritual meaning — are announced publicly before witnesses.

For many diasporans, the moment carries unexpected emotional weight.

Some arrive knowing little about Ghanaian customs beyond what they have read online or encountered through popular initiatives such as the Year of Return.

Yet standing before elders who welcome them as family rather than visitors can reshape their understanding of identity altogether. The ceremony becomes less about symbolism and more about belonging.

Naming traditions hold profound significance across many Ghanaian cultures. Among the Akan, names are tied to the day of birth and are believed to carry spiritual and social meaning throughout a person’s life.

Other ethnic groups maintain naming customs linked to ancestry, circumstances surrounding birth, or hopes for the future. To receive a traditional name is therefore not simply ceremonial; it represents recognition, continuity, and connection to community.

The growing interest in ancestral naming ceremonies also reflects Ghana’s evolving role as a cultural destination for the global African diaspora.

In recent years, heritage tourism has expanded beyond visits to slave forts and memorial sites. More travelers now seek immersive cultural experiences that allow participation rather than observation.

That shift has encouraged communities, cultural centers, and tourism organizers to create events focused on dialogue, healing, and shared heritage.

Naming ceremonies frequently include drumming, storytelling, traditional food, dance, and opportunities to learn local history directly from community elders.

For Ghanaians, these gatherings can also feel deeply affirming. They offer a chance to reclaim cultural traditions once dismissed during colonial rule and present them proudly on an international stage. The ceremonies become acts of preservation as much as welcome.

What remains with many visitors is not only the name itself, but the feeling surrounding it — the sound of drums echoing into the evening air, the embrace of strangers calling them brother or sister, and the realization that heritage can sometimes be rediscovered in the presence of others who refuse to let it disappear.

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Sights and Sounds

Hands in the Earth: The Art of Pottery Making with Ghanaian Artisans

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The morning air carries the earthy scent of wet clay as laughter rises from a courtyard lined with handmade pots drying beneath the sun.

In many parts of Ghana, pottery workshops begin long before the heat of midday arrives. Local artists sit beneath wooden shelters, their fingers moving with practiced rhythm, shaping bowls, water jars, and decorative pieces from rich red earth gathered nearby.

Visitors arriving for a pottery-making experience quickly discover that this is not simply an art class—it is an invitation into a living tradition.

Across communities such as Sirigu in the Upper East Region and parts of the Volta and Ashanti Regions, pottery has remained woven into daily life for generations. Clay vessels once carried water, stored grain, and cooked meals over open fires.

Today, travelers can step directly into that heritage through workshops led by local artisans eager to share both skill and story.

A Hands-On Journey Through Ghanaian Craftsmanship

The experience often begins with a walk through the workshop grounds where rows of finished pots, painted calabashes, and fired clay sculptures create a landscape of warm terracotta colors.

The sound of spinning wheels, crackling kilns, and soft conversation fills the air. Visitors learn how raw clay is cleaned, kneaded, shaped, and carefully fired using traditional methods that have changed little over the decades.

There is joy in the imperfections of the process. Clay sticks to fingertips, wheels wobble unexpectedly, and first attempts rarely emerge symmetrical. Yet that is exactly what makes the experience memorable. Local artists guide participants patiently, demonstrating techniques passed down through families for centuries.

Beyond the workshop itself, travelers often explore nearby cultural attractions, local markets, and craft centers where woven baskets, beads, and hand-dyed textiles showcase Ghana’s wider artistic heritage. In some communities, guests can also enjoy traditional drumming performances or meals prepared with locally grown ingredients, turning a pottery session into a full cultural immersion.

Why Travelers Keep Returning

Pottery workshops offer something many modern trips struggle to provide: genuine connection.

There are no rushed schedules or staged performances. Instead, visitors share conversations with artists, hear stories about village life, and leave carrying an object shaped by their own hands.

For travelers seeking experiences that feel personal and rooted in place, Ghana’s pottery workshops provide a rare opportunity to slow down and create something lasting. Long after the clay has hardened, the memory of dust-covered hands, glowing kilns, and warm community hospitality stays with visitors like a fingerprint pressed into wet earth.

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Sights and Sounds

The Crown Forest Experience Redefining Tourism in Ghana

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A giraffe walks calmly past the window while an electric buggy glides through the open savanna without a sound. There are no fences in sight, no roaring engines, no rush from city traffic.

Just wind moving through tall grass and the strange, thrilling realization that this is still Ghana.

That moment has become the defining experience at Crown Forest, a private safari eco-park located in Gamoa and Zouem in Ghana’s Central Region, roughly two hours from Accra.

In a country more globally known for its coastlines, castles and vibrant urban culture, Crown Forest is building a different image of Ghanaian tourism — one shaped by wildlife, stillness and immersion in nature.

Spread across 500 acres, the park offers something rarely associated with West Africa: an open safari landscape where zebras, impalas, hippos and giraffes roam freely while guests move quietly among them in electric-powered vehicles designed to minimize disturbance.

The silence changes everything. Visitors are not simply observing animals; they are sharing space with them.

Adventure Beyond the Game Drive

The safari may draw people in, but the experience stretches far beyond wildlife viewing. Crown Forest is designed as a full-day escape from urban life, where every activity pulls visitors deeper into the landscape.

Quad bike trails cut through dusty terrain and wooded paths, adding bursts of speed and adrenaline to the calm rhythm of the park.

Elsewhere, guests kayak across the Hidden-Sab Beach area, where the water slows the pace and the surrounding quiet settles in almost immediately.

A swimming pool hidden among the trees offers relief from the afternoon heat, creating the feeling of discovering a private retreat in the middle of the wilderness.

What makes the experience particularly striking is how quickly the outside world disappears. Phones stay in pockets longer. Conversations soften.

Even visitors arriving from Accra’s constant movement seem to adjust naturally to the slower tempo of the reserve.

For international travellers unfamiliar with Ghana’s tourism landscape, Crown Forest represents a growing shift toward experiential travel — places that combine recreation, ecology and cultural reflection rather than offering entertainment alone.

The Road That Changes the Mood

Yet the most powerful part of Crown Forest is not the safari. It is Assamansi Road, a preserved ancestral slave route located within the grounds.

Walking the route changes the emotional weight of the visit. The beauty of the savanna suddenly carries deeper meaning, reminding visitors that these landscapes witnessed centuries of movement, suffering, and survival long before tourism arrived. The quiet there feels intentional and deeply human.

Day passes range from 600 to 990 Ghana cedis per person, covering the safari experience, lunch, and up to 8 hours in the park. Guests wanting more time can stay overnight at the resort hotel, where rooms range from $350 to $500 per night.

But long after the price is forgotten, most visitors leave remembering the silence: a giraffe in the distance, the crunch of gravel beneath an electric buggy, and the feeling of discovering a side of Ghana many never expected to exist.

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