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After Visiting Ghana For 24 Years, American Woman Finally Makes Ghana Her Home

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Candace Mickens, an African American woman from the Washington D.C. area, has officially made Ghana her home after more than two decades of visits.

Her decision to call Ghana home embodies a powerful story of ancestral return and personal fulfillment.

In a heartfelt interview on the YouTube channel Ivy Prosper, Mickens shared that her first journey to the African continent was to Senegal in 2000, followed by her first trip to Ghana in 2002.

What began as a spiritual quest to discover her roots evolved into a lifelong connection.

“I am one of my ancestors’ greatest prayers,” Mickens stated, reflecting on her decision to purchase a home in Ghana’s Pārasi (which she affectionately calls “P-Town”). She recounted a profound moment standing in the “Door of No Return” at a former slave dungeon with three generations of her family, declaring, “I have returned. I have returned again and again and again… and I will keep returning.”

Candace Mickens. Image Credit: @sacredtouchbodywork on Instagram

Her move is not without its advice for others.

With 24 years of travel experience across 14-15 African countries, Mickens urges caution to those in the diaspora considering a permanent move.

“For 24 years I’ve been encouraging people… [but] visiting and moving are two different things,” she explained. She strongly advises against relocating to a country without ever having visited, emphasizing the importance of experiencing the culture, navigating differences in communication, and understanding the communal way of life firsthand.

While she acknowledges challenges like infrastructure and traffic, Mickens focuses on the benefits: a vibrant social life, a deep sense of community, and the peace of mind that comes from her spiritual and ancestral connection.

“I feel so confident that my son, my black son, is being raised around people that are black, too,” she said, touching on one of her core reasons for putting down roots.

For Mickens, this homecoming is the fulfillment of a legacy, turning an ancestor’s prayer into a living reality.

Taste GH

Kapala: Ghana’s Ancient Energy Food Still Powering Generations

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In many homes across northern Ghana, the sight of freshly prepared Kapala resting in a calabash signals comfort, strength, and tradition all at once.

Simple in appearance yet deeply satisfying, these firm millet balls have nourished generations of farmers, traders, and families long before convenience foods became a global obsession.

Known locally as Kapala, the dish is made by carefully cooking millet and shaping it into compact balls with a smooth, slightly dense texture.

The flavour is mild, earthy, and naturally nutty, allowing it to pair beautifully with rich soups, spicy groundnut sauces, or fresh milk. Some people enjoy it warm in the morning for energy before a long day, while others eat it as a filling evening meal after work in the fields.

What makes Kapala special is not just its taste but its practicality. Farmers often carry it during long hours of labour because it keeps well, satisfies hunger for hours, and provides steady energy.

In many northern communities, it represents resilience and resourcefulness — a traditional food built around nutrition, simplicity, and local ingredients.

Visitors exploring Ghana’s northern regions will likely encounter Kapala in homes, roadside food spots, and local markets where traditional meals still dominate daily life. Eating it offers more than a culinary experience; it opens a window into the rhythms of rural Ghanaian living and the enduring importance of millet in local cuisine.

As global conversations increasingly turn toward healthy grains and sustainable eating, Kapala feels surprisingly modern.

Rich in fibre and nutrients, it proves that some of the world’s most nourishing foods have existed quietly for centuries in local communities that understood wholesome eating long before it became fashionable.

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Sights and Sounds

Exploring Traditional Bead Making in Ghana’s Eastern Region

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The road into Ghana’s Eastern Region rolls past thick green hills, roadside fruit stalls, and villages alive with colour.

Then comes the unmistakable sound: glass cracking softly beneath stone. In the bead-making communities around Krobo land, broken bottles are not waste. They are raw material for one of Ghana’s oldest artistic traditions.

Inside a warm clay workshop, women sort fragments of blue, green, amber, and clear glass into small bowls while smoke curls gently from nearby kilns.

A craftsman carefully fills handmade moulds with powdered glass before sliding them into a fire-blackened oven. Hours later, the pieces emerge transformed — shimmering beads streaked with colour, each one carrying centuries of cultural memory.

For the Krobo people of the Eastern Region, beads are far more than decoration. They mark birth, puberty, marriage, spirituality, and status.

During festivals and traditional ceremonies, layers of beads rest proudly around waists, wrists, and necks, turning the human body into a living archive of heritage.

Walking Through Ghana’s Living Bead Culture

Visitors to bead-making centres such as Odumase-Krobo quickly realise the experience is wonderfully hands-on.

Travellers can watch every stage of production: crushing recycled glass into powder, painting intricate patterns with cassava-stem tools, firing the beads in clay kilns, and polishing the finished pieces by hand.

The atmosphere feels deeply personal rather than staged for tourists. Children weave through courtyards carrying trays of beads while elders explain the meanings behind colours and patterns. Bright reds may symbolise strength or spiritual energy; blues often evoke peace, harmony, and love.

Many tours allow guests to create their own beads, an experience that slows time in the best possible way.

Beyond the workshops, the Eastern Region offers plenty to explore — from the forest canopy walk at Aburi Botanical Gardens to mountain views around the Akuapem Ridge and lively local markets filled with handmade crafts and fresh palm wine.

Why the Journey Stays With You

Traditional bead making offers something many modern travel experiences struggle to provide: a genuine human connection.

Travellers do not simply observe culture here; they sit beside it, touch it, and carry part of it home.

Long after leaving the Eastern Region, many visitors remember the glow of kiln fires at dusk and the quiet patience behind every handcrafted bead — small objects carrying stories far older than the roads leading to them.

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Taste GH

The Rich, Nutty Taste of Frafra Potato That Visitors to Ghana Should Not Miss

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Northern Ghana’s food culture is built on warmth, simplicity, and bold flavour, and few dishes capture that spirit better than Frafra Potato with Groundnut Sauce.

Served steaming hot in homes, roadside food joints, and bustling local markets, the dish is a quiet classic that continues to win hearts across generations.

Known for its earthy sweetness, the Frafra potato — smaller and firmer than the common sweet potato — carries a rich flavour that pairs beautifully with thick groundnut sauce.

The sauce, slowly simmered with tomatoes, onions, pepper, and spices, releases a nutty aroma that fills the air long before the first bite is taken.

Together, the creamy sauce and tender potatoes create a meal that is deeply satisfying without feeling heavy.

In towns across the Upper East and Upper West regions, the dish is often enjoyed as breakfast or lunch, especially during cooler mornings or after long hours on the farm.

Vendors usually serve it fresh from large metal pots, with extra pepper for those who enjoy heat.

Beyond taste, many Ghanaians appreciate the meal for its nourishing qualities. Groundnuts provide protein and healthy oils, while the potatoes are filling and naturally comforting.

For travellers exploring Ghana’s northern regions, tasting Frafra Potato with Groundnut Sauce offers more than a meal. It is an invitation into everyday northern life, where hospitality is generous and flavour speaks softly but lingers long after the plate is empty.

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