Culture
New Study Reveals Many Ghanaian Celebs Are Battling Mental Issues in Silence
A groundbreaking study has revealed that many Ghanaian celebrities in the entertainment and sports industries are quietly struggling with mental health issues such as depression and anxiety, often hiding their pain behind closed doors due to deep-rooted societal stigma.
The research, published by The Conversation and republished on January 11, 2026, explains why speaking up could be a game-changer for both the stars and the broader Ghanaian public.
Conducted by Lyzbeth King, a PhD student at Ohio University’s School of Communication Studies, and Mary Kiura, an Assistant Professor of Organizational Communication at Purdue University Fort Wayne, the study draws from in-depth interviews with 20 Ghanaian celebrities, including actors and comedians.
Participants shared how they cope with mental health challenges in a society where such issues are frequently attributed to spiritual causes rather than medical ones.
Many turn to private prayer, fasting, or dawn vigils at churches instead of seeking professional therapy.
One male actor described waking up early to pray outside, allowing “the dawn dew to fall on me just so that I could pray and ask God to use the dew to change the happenings in my life.”
Others rely on discreet peer support within the industry.
A male actor and comedian explained, “Among celebrities who go through mental health issues, we talk. We have discussions among ourselves… I can call a colleague and say, guy, I have been experiencing this breakdown.”
The fear of judgment is profound: celebrities worry that admitting struggles could lead to lost opportunities, damaged reputations, or being labeled “weak” or spiritually afflicted. This mirrors wider Ghanaian attitudes, where religious explanations often overshadow clinical approaches, leading many to prayer camps rather than counselors.
The researchers point out that while prayer and faith play a vital role in Ghanaian culture, they should complement—not replace—professional mental health care. Celebrities, as influential figures, hold unique power to shift public perceptions. By speaking openly, they could normalize conversations, reduce stigma, and encourage others to seek help.
The study calls for a holistic approach: involving religious leaders, mental health professionals, families, and workplaces to foster compassion and understanding. It highlights that celebrities’ silence reflects the prevalence of mental illness across society and stresses the importance of investing in mental health resources continent-wide.
READ THE FULL ARTICLE PUBLISHED ON THE CONVERSATION BELOW:
Ghanaian celebrities are dealing with mental illness stigma behind closed doors – why speaking up matters
Lyzbeth King, Ohio University and Mary Kiura, Purdue University Fort Wayne
Imagine living in a country where talking openly about depression or anxiety can cost you your job, your reputation, or even your freedom. That is still the reality in Ghana, where mental illness is often explained in spiritual terms, and seeking help can mean being taken to a prayer camp instead of seeing a therapist. Even with global mental health awareness campaigns flooding social media and calendar days dedicated to ending stigma, many Ghanaians continue to struggle in silence.
We study communication and wanted to understand how Ghanaian celebrities, in particular, communicatively manage the stigma that is associated with their mental illness. Celebrities are often treated as near-superhuman figures; they are admired for their talent, resilience and public influence. But they suffer too.
For our research, we reached out to some celebrities who helped us reach out to others who were experiencing or had experienced a mental illness. Altogether, 20 celebrities were interviewed.
Most of them told us they hide their struggles and turn to private prayer rather than professional care. Fear of being labelled “weak”, judged as “spiritually afflicted” or losing work opportunities keeps them quiet. Instead of speaking out, they pray behind closed doors, hoping their symptoms will disappear before anyone notices.
Their status makes it even harder for them to speak openly about their mental illnesses. Their careers depend on credibility and the impression of strength. As a result, they cope privately, turning to prayer rather than professional help.
Celebrities influence public perceptions. Therefore, understanding how they manage mental illness stigma can offer valuable insights into broader societal attitudes and behaviours towards mental health communication.
Insights from our conversations
Our candid conversations with 20 Ghanaian celebrities in the entertainment and sports industries revealed the unique ways they manage stigma associated with mental illness. For example:
I would wake up at dawn and walk to a church and pray. I could stand outside for the dawn dew to fall on me just so that I could pray and ask God to use the dew to change the happenings in my life. (male, actor)
Some reported that prayer served not only as a way of managing stigma, but also as a source of healing from the mental illness itself. One said that “prayers and fasting” helped.
Others use a combination of acceptance and praying to cope. Acceptance is a stigma management strategy identified by health and stigma researcher Rebecca Meisenbach. It refers to acknowledging the existence of stigma around a certain condition and its application to the individual.
Acceptance as a stigma management strategy manifests through behaviours such as displaying symptoms associated with the mental illness and forming bonds with other individuals who are similarly stigmatised.
Our study participants said they managed stigma by connecting with others going through similar experiences:
When I was dealing with depression and all of that, the person I spoke to about it was my cousin. He was also depressed at the time. So it was like, we are sharing notes. You know, and we end up encouraging each other. (male, actor and comedian)
Another male actor and comedian shared: “Among celebrities who go through mental health issues, we talk. We have discussions among ourselves. It will not be possible to go out and say it publicly but among ourselves, I can call a colleague and say, guy, I have been experiencing this breakdown.”
What needs to be done
Our research shows an important truth for Ghanaians. The people we admire most are also actively navigating mental health challenges behind closed doors. Their silence and ways of handling their mental struggles reflect the same fears many ordinary Ghanaians carry. If people in the spotlight are quietly battling mental illnesses, it shows that mental illness is far more common than some people are willing to admit.
This is why real mental illness conversations must begin now. To reduce mental illness stigma, it must be openly spoken about, and every shift starts somewhere: in our homes, religious spaces and workplaces. When people speak honestly about their struggles, and if others listen and respond with compassion, it creates a culture where seeking mental help is not seen as shameful.
Celebrity stories show that prayer plays a central role in how celebrities largely cope with mental illness. Prayer is meaningful, culturally rooted and, for many, spiritually essential. But prayer should not replace medical help. In short, prayer and seeking medical help should not be seen as mutually exclusive; rather, they should be seen as complementary.
Mental health professionals and religious leaders can help reframe mental illness healing as a process that can be accomplished through both medical care and spiritual prayers and not as a choice between them, especially in a religious culture like Ghana. Doing this can offer a more holistic pathway to recovery and a more accepting community for people who fear stigmatisation.
Healing does not have to be hidden, and help does not have to be feared. A new culture of openness can begin with each person who chooses to speak, listen and support. We hope that this shift starts now and that Ghana becomes a place where spiritual care and medical support work in tandem to make mental health care accessible and stigma-free.
Lyzbeth King, PhD Student, School of Communication Studies, Ohio University and Mary Kiura, Assistant Professor of Organizational Communication, Purdue University Fort Wayne
This article is republished from The Conversation under a Creative Commons license. Read the original article.
Arts and GH Heritage
The Architecture of Grief: Gabriel Selassie Tsagli Paints a Portrait of Home and Loss
There is a particular quality of light in Accra that never fully leaves you. For Gabriel Selassie Tsagli, a Ghanaian artist living between Accra and Berlin, it is this light—alongside the memory of a specific mother and a specific city—that anchors his first solo exhibition in his birthplace.
Son of Kafui at Gallery 1957 is a homecoming in the truest sense. The title itself is an intimacy: Kafui, meaning “love” or “son of God’s own,” was the name of Tsagli’s late mother.
Following his return to Accra in 2025, Tsagli has created a body of work that doesn’t merely depict grief but gives it form, movement, and colour.

The exhibition begins where all loss begins—in the body’s remembrance of place. Tsagli’s paintings emerge from lived experience rather than pre-imagined form.
He builds surfaces through accumulation, layering, pressing, and scraping paint until figures appear “as though remembered rather than constructed”.
This is not figurative painting in the traditional sense; here, figuration and abstraction overlap, allowing bodies and faces to emerge and recede like recollections themselves.
Colour serves as a generative force. Orange suggests action and vitality, while blue becomes a space for reflection and articulation. Held in tension, these chromatic forces create an emotional architecture that resists closure, sustaining ambiguity across the works.

The figure of his mother recurs throughout, not as a portrait or a likeness, but as atmosphere, material trace, and presence suspended in the space between what is here and what is gone.
Curated by Marina Paulenka, the exhibition considers return not as resolution but as an ongoing negotiation.
Accra itself becomes a living presence, a shifting organism that evolves alongside the artist’s understanding of home—an understanding complicated by a life shaped by movement between Ghana and Germany.

What makes Son of Kafui remarkable is its refusal to resolve grief. Instead, Tsagli invites us to remain with what resists closure, to encounter meaning as it unfolds.
In doing so, he transforms personal loss into a broader reflection on how we carry people, places, and histories within us. The exhibition runs at Gallery 1957 until 12 September 2026.
Festivals & Events
Ahoba Kuma Festival: How the Abura People Keep Their Warrior Legacy Alive
The first drumbeat rolls across Abura like a heartbeat returning home. Soon, the streets come alive with swirling cloth, elders carrying symbols of authority, and young dancers moving to rhythms that seem to echo from another century.
As traditional horns cut through the air, the community gathers for Ahoba Kuma Festival, a celebration that transforms memory into movement and history into living tradition.
Observed occasionally in June by the Abura people in Ghana’s Central Region, Ahoba Kuma commemorates the community’s ancestral migration while paying tribute to the warriors who protected their people during uncertain times.
Rather than allowing those stories to fade into folklore, the festival keeps them alive through ceremonies that remind each generation where they came from and what their ancestors endured to build the community they call home.
The festival unfolds with colourful processions led by chiefs, queen mothers and elders dressed in striking kente, beads and ceremonial regalia.
Traditional musicians fill the streets with the sounds of talking drums, horns and songs that recount bravery, sacrifice and unity. Dancers perform with energetic precision, while community members follow the procession, turning the town into a shared stage where every step carries historical meaning.
Beyond the public celebrations, moments of reflection remain at the festival’s heart. Elders share oral histories with younger generations, prayers are offered for peace and prosperity, and families reunite to strengthen bonds that stretch far beyond bloodlines.
These rituals ensure that remembrance is not confined to the past but becomes part of everyday identity.
Today, Ahoba Kuma serves as both a cultural inheritance and a community reunion, drawing people back to their roots while welcoming curious visitors into its story.
For travellers exploring Ghana’s heritage, experiencing this festival offers something rare: the chance to witness history not preserved behind museum glass, but carried proudly through the streets in music, movement and collective memory.
Festivals & Events
Drums, Chiefs and Blessings: Inside Kwahu Tafo’s Gyenpren Festival
As June settles over the rolling Kwahu hills, Kwahu Tafo wakes to the deep rhythm of talking drums, the gleam of colourful kente cloth, and the steady procession of chiefs carried beneath ceremonial umbrellas.
The streets fill with cheers as families reunite, visitors gather, and elders exchange greetings that carry generations of history. This is Gyenpren Festival, a celebration where gratitude, unity and hope for the seasons ahead meet in one unforgettable spectacle.
Observed by the people of Kwahu Tafo in Ghana’s Eastern Region, Gyenpren is rooted in the community’s enduring connection to the land.
For generations, farming has shaped life in the area, making the festival an important moment to seek blessings for abundant harvests while strengthening the peace that keeps the community thriving.
It also serves as a reminder that prosperity grows not only from fertile soil but from harmony among neighbours and respect for tradition.
The festival’s centrepiece is the durbar of chiefs, where traditional leaders appear in magnificent regalia, accompanied by queen mothers, elders and cultural groups.
The procession transforms the town into a moving gallery of royal symbolism, with gold ornaments, intricate fabrics and beautifully crafted stools reflecting the authority of the Kwahu people.
Traditional drumming, dancing and libation ceremonies accompany the gathering as prayers are offered for rainfall, fertile farms, healthy families and peaceful coexistence.
Beyond the formal ceremonies, Gyenpren becomes a homecoming. Relatives return from across Ghana and abroad, local businesses come alive, and younger generations learn customs by watching elders perform rituals passed down through time.
For today’s Kwahu Tafo, Gyenpren remains both a cultural anchor and a celebration of collective identity.
For travellers, it offers something equally valuable: the chance to witness a living tradition where every drumbeat, greeting and royal procession tells the story of a community that continues to honour its past while looking confidently toward the future.
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