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New Study Reveals Many Ghanaian Celebs Are Battling Mental Issues in Silence

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A groundbreaking study has revealed that many Ghanaian celebrities in the entertainment and sports industries are quietly struggling with mental health issues such as depression and anxiety, often hiding their pain behind closed doors due to deep-rooted societal stigma.

The research, published by The Conversation and republished on January 11, 2026, explains why speaking up could be a game-changer for both the stars and the broader Ghanaian public.

Conducted by Lyzbeth King, a PhD student at Ohio University’s School of Communication Studies, and Mary Kiura, an Assistant Professor of Organizational Communication at Purdue University Fort Wayne, the study draws from in-depth interviews with 20 Ghanaian celebrities, including actors and comedians.

Participants shared how they cope with mental health challenges in a society where such issues are frequently attributed to spiritual causes rather than medical ones.

Many turn to private prayer, fasting, or dawn vigils at churches instead of seeking professional therapy.

One male actor described waking up early to pray outside, allowing “the dawn dew to fall on me just so that I could pray and ask God to use the dew to change the happenings in my life.”

Others rely on discreet peer support within the industry.

A male actor and comedian explained, “Among celebrities who go through mental health issues, we talk. We have discussions among ourselves… I can call a colleague and say, guy, I have been experiencing this breakdown.”

The fear of judgment is profound: celebrities worry that admitting struggles could lead to lost opportunities, damaged reputations, or being labeled “weak” or spiritually afflicted. This mirrors wider Ghanaian attitudes, where religious explanations often overshadow clinical approaches, leading many to prayer camps rather than counselors.

The researchers point out that while prayer and faith play a vital role in Ghanaian culture, they should complement—not replace—professional mental health care. Celebrities, as influential figures, hold unique power to shift public perceptions. By speaking openly, they could normalize conversations, reduce stigma, and encourage others to seek help.

The study calls for a holistic approach: involving religious leaders, mental health professionals, families, and workplaces to foster compassion and understanding. It highlights that celebrities’ silence reflects the prevalence of mental illness across society and stresses the importance of investing in mental health resources continent-wide.

READ THE FULL ARTICLE PUBLISHED ON THE CONVERSATION BELOW:

Ghanaian celebrities are dealing with mental illness stigma behind closed doors – why speaking up matters

Lyzbeth King, Ohio University and Mary Kiura, Purdue University Fort Wayne

Imagine living in a country where talking openly about depression or anxiety can cost you your job, your reputation, or even your freedom. That is still the reality in Ghana, where mental illness is often explained in spiritual terms, and seeking help can mean being taken to a prayer camp instead of seeing a therapist. Even with global mental health awareness campaigns flooding social media and calendar days dedicated to ending stigma, many Ghanaians continue to struggle in silence.

We study communication and wanted to understand how Ghanaian celebrities, in particular, communicatively manage the stigma that is associated with their mental illness. Celebrities are often treated as near-superhuman figures; they are admired for their talent, resilience and public influence. But they suffer too.

For our research, we reached out to some celebrities who helped us reach out to others who were experiencing or had experienced a mental illness. Altogether, 20 celebrities were interviewed.

Most of them told us they hide their struggles and turn to private prayer rather than professional care. Fear of being labelled “weak”, judged as “spiritually afflicted” or losing work opportunities keeps them quiet. Instead of speaking out, they pray behind closed doors, hoping their symptoms will disappear before anyone notices.

Their status makes it even harder for them to speak openly about their mental illnesses. Their careers depend on credibility and the impression of strength. As a result, they cope privately, turning to prayer rather than professional help.

Celebrities influence public perceptions. Therefore, understanding how they manage mental illness stigma can offer valuable insights into broader societal attitudes and behaviours towards mental health communication.

Insights from our conversations

Our candid conversations with 20 Ghanaian celebrities in the entertainment and sports industries revealed the unique ways they manage stigma associated with mental illness. For example:

I would wake up at dawn and walk to a church and pray. I could stand outside for the dawn dew to fall on me just so that I could pray and ask God to use the dew to change the happenings in my life. (male, actor)

Some reported that prayer served not only as a way of managing stigma, but also as a source of healing from the mental illness itself. One said that “prayers and fasting” helped.

Others use a combination of acceptance and praying to cope. Acceptance is a stigma management strategy identified by health and stigma researcher Rebecca Meisenbach. It refers to acknowledging the existence of stigma around a certain condition and its application to the individual.

Acceptance as a stigma management strategy manifests through behaviours such as displaying symptoms associated with the mental illness and forming bonds with other individuals who are similarly stigmatised.

Our study participants said they managed stigma by connecting with others going through similar experiences:

When I was dealing with depression and all of that, the person I spoke to about it was my cousin. He was also depressed at the time. So it was like, we are sharing notes. You know, and we end up encouraging each other. (male, actor and comedian)

Another male actor and comedian shared: “Among celebrities who go through mental health issues, we talk. We have discussions among ourselves. It will not be possible to go out and say it publicly but among ourselves, I can call a colleague and say, guy, I have been experiencing this breakdown.”

What needs to be done

Our research shows an important truth for Ghanaians. The people we admire most are also actively navigating mental health challenges behind closed doors. Their silence and ways of handling their mental struggles reflect the same fears many ordinary Ghanaians carry. If people in the spotlight are quietly battling mental illnesses, it shows that mental illness is far more common than some people are willing to admit.

This is why real mental illness conversations must begin now. To reduce mental illness stigma, it must be openly spoken about, and every shift starts somewhere: in our homes, religious spaces and workplaces. When people speak honestly about their struggles, and if others listen and respond with compassion, it creates a culture where seeking mental help is not seen as shameful.

Celebrity stories show that prayer plays a central role in how celebrities largely cope with mental illness. Prayer is meaningful, culturally rooted and, for many, spiritually essential. But prayer should not replace medical help. In short, prayer and seeking medical help should not be seen as mutually exclusive; rather, they should be seen as complementary.

Mental health professionals and religious leaders can help reframe mental illness healing as a process that can be accomplished through both medical care and spiritual prayers and not as a choice between them, especially in a religious culture like Ghana. Doing this can offer a more holistic pathway to recovery and a more accepting community for people who fear stigmatisation.

Healing does not have to be hidden, and help does not have to be feared. A new culture of openness can begin with each person who chooses to speak, listen and support. We hope that this shift starts now and that Ghana becomes a place where spiritual care and medical support work in tandem to make mental health care accessible and stigma-free.

Lyzbeth King, PhD Student, School of Communication Studies, Ohio University and Mary Kiura, Assistant Professor of Organizational Communication, Purdue University Fort Wayne

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Festivals & Events

KATON Praise 2026: Accra Prepares for a Night of Music, Faith, and Global Stars

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On a warm May evening in Accra, the air won’t just carry music—it will carry anticipation, reunion, and a shared sense of purpose.

As voices rise and hands lift, KATON Praise 2026 promises more than a concert; it offers a powerful gathering where faith, culture, and community meet.

Set for May 1st at the open grounds of Ghud Park Accra Mall, this free worship event is quickly becoming one of the most talked-about moments on Ghana’s cultural calendar.

At its heart, KATON Praise reflects a growing tradition across West Africa—large-scale gospel gatherings that blend music, spirituality, and social connection into one unforgettable experience.

This year’s edition carries added excitement with the arrival of internationally acclaimed gospel artist Chandler Moore, whose return to Ghana has stirred anticipation among fans.

He will be joined by celebrated voices, including Joe Mettle and Phil Thompson, alongside other performers shaping contemporary gospel music. Together, they represent a bridge between global sounds and Ghana’s deeply rooted worship traditions.

But KATON Praise is not just about the stage—it’s about the atmosphere. Visitors can expect an open, welcoming space where strangers quickly become a community.

The night unfolds with live music, collective singing, spontaneous moments of prayer, and the kind of energy that comes from thousands of voices moving in unison.

Around the venue, the familiar rhythms of Accra life continue: food vendors serving local favourites, conversations flowing in a mix of languages, and the hum of a city that knows how to gather.

For international visitors, the event offers a unique window into Ghanaian spirituality—one that is vibrant, expressive, and deeply communal. It’s a chance to experience how faith is lived here: not quietly, but with music, movement, and joy.

For locals, it’s something equally meaningful—a moment to reconnect, to pause from daily routines, and to share in something larger than themselves.

Perhaps the most striking part of KATON Praise is its accessibility. Entry is free, and the event is also streamed online via Katon Meet, opening the experience to audiences far beyond Accra. It’s an invitation without barriers—one that reflects the inclusive spirit at the heart of the gathering.

As the night approaches, one thing is clear: KATON Praise 2026 is not just an event to attend, but one to feel. Whether you come for the music, the message, or the moment, you’ll leave with something that lingers long after the final song.

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Reels & Social Media Highlights

#Dumsor Don Come Again: Kwadwo Sheldon vs. Mahama’s 30-Day Ultimatum

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If you scrolled through your timeline this Thursday, you needed a scorecard to keep up with the drama.

With a national holiday looming to celebrate Workers’ Day, Ghanaians decided to clock in early on social media, turning Facebook and X into battlefields of politics, power, and pop culture. The vibes were tense, funny, and chaotic, sometimes all at once.

The electricity crisis, or ‘Dumsor’, remained the heavyweight champion of conversations. As workers prepared for their day off tomorrow, many joked that the only thing “off” tonight would be the lights.

The tension escalated when popular influencer Kwadwo Sheldon gave President Mahama a strict one-month ultimatum to fix the recent power outages caused by the Akosombo fire, or face “massive criticism”.

While Sheldon drew a line in the sand, musician Coded (of 4×4 fame) jumped to the president’s defense, calling critics who refuse to see the government’s efforts “witches” who don’t want good things for Ghana.

Away from the national grid, tribal politics struck a raw nerve. A video of NPP communicator Benjamin Gyewu-Appiah (Benghazi) went viral for the wrong reasons after he declared that “Ghana belongs to Ashantis.”

The backlash was swift and brutal, with netizens calling for him to be “reined in” and even dragging the Asante King, Otumfuo Osei Tutu, into the debate to disown the comments.

Meanwhile, future lawyers are facing a different kind of blackout. The government’s dramatic U-turn on the Ghana School of Law entrance exams—reinstating a test they promised to scrap—has left students feeling betrayed.

MP Vincent Ekow Assafuah slammed the move as “reckless disregard,” capping off a day where many felt the government was giving with one hand and taking with the other.

Why These Conversations Resonated

  • The General Mood: There is a palpable sense of accountability in the air. The reaction to the “Dumsor” crisis is no longer just about the inconvenience of darkness; it’s about perceived competence. The public is actively debating whether the government is solving problems or creating new ones, with citizens acting as the referees.
  • The Pulse on Identity: The Benghazi comments triggered a visceral reaction because they threaten Ghana’s delicate tribal peace. In a digital era where young Ghanaians are pushing for unity, such rhetoric is seen as ancient history that has no place in modern discourse.
  • Holiday Anticipation: With May Day tomorrow, the conversation was heavily colored by class consciousness. The Law School debate, specifically, highlights the frustration of the middle class—people with degrees who still face bureaucratic bottlenecks. It’s a reminder that for many workers, the struggle for a secure future continues despite the holiday.

April 30, 2026, showcased a Ghanaian internet that is deeply political but increasingly impatient. The “rally-around-the-president” period following the Akosombo fire is officially over, replaced by citizens demanding timelines and results.

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Arts and GH Heritage

Ghana’s Art Boom at Risk Without State Investment, Experts Warn

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Calls for stronger government investment in Ghana’s arts sector took centre stage in Accra last week, as leading artists and academics warned that the country’s cultural momentum could stall without urgent support for infrastructure and preservation.

The appeal came during a conference organized by Foundation for Contemporary Art Ghana in collaboration with TRAFO Centre for Contemporary Art. The gathering brought together artists, curators, students and cultural stakeholders to assess the state of Ghana’s art industry and its future direction.

Despite Ghana’s growing international profile in contemporary art, speakers argued that progress has largely been driven by individual effort rather than coordinated state backing.

Karikacha Seidou, Dean of the Faculty of Art at Kwame Nkrumah University of Science and Technology, described the current moment as a “golden age of art,” but cautioned that the absence of sustained public investment could undermine these gains.

He pointed to the limited number of museums and galleries, alongside the neglect of public art, as key challenges facing the sector. According to him, strengthening institutional support would not only preserve Ghana’s cultural heritage but also create opportunities for emerging artists and educate younger generations.

Seidou also placed Ghana’s artistic achievements within a broader historical context, noting that many of today’s successes build on cultural foundations laid during the era of Kwame Nkrumah. He cited the global recognition of Ibrahim Mahama, who topped the ArtReview Power 100 list in 2025, as evidence of the country’s growing influence on the international art stage.

Attention also turned to the fate of Ghana’s public monuments. Adwoa Amoah, co-director of the Foundation for Contemporary Art Ghana, highlighted how several historical monuments commissioned in the early post-independence period have either disappeared or fallen into obscurity following political transitions.

She said a recent exhibition by the foundation had reignited debate over whether such monuments should be restored or replaced with new forms of public art that reflect contemporary realities. For Amoah, public art remains central to shaping national identity and fostering civic dialogue.

Participants agreed that without deliberate policies and investment, Ghana risks losing parts of its cultural memory even as its contemporary art scene gains global acclaim.

The conference underscored a growing consensus: that safeguarding the nation’s artistic legacy requires not only creative energy but also sustained institutional commitment.

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