Culture
Outrage After Viral Video Shows Chinese Man Lifting Child by the Neck
A disturbing video showing a Chinese man lifting an African child by the neck has sparked widespread outrage across the continent.
The now-viral video is igniting renewed debate about racism, power dynamics, and the treatment of Africans on their own soil.
The short clip, whose exact location has not yet been identified, shows the man gripping the two-year-old boy’s neck with one hand and hoisting him off the ground as the child cries in distress. The lifting the boy by the neck is laughing. Another individual appears to be filming the encounter.
The video has since spread rapidly on social media platforms from Ghana to Nigeria, Kenya, Uganda, and beyond — triggering anger, disbelief and calls for accountability.
For many Africans, the visceral nature of the scene is heartwrenching. It echoed longstanding concerns about the behaviour of some foreign nationals who live and operate within African communities — particularly in sectors where they hold economic power or employ local labour.
“This is how people come to our continent and disrespect us,” one visibly upset African man said in an accompanying commentary that has been widely shared with the clip. “Look at what he’s doing — grabbing a kid by the neck, lifting the kid like an animal. He thinks it’s funny because the child is Black. He would never try this in China.”
The speaker went further, arguing that any foreigner attempting similar behaviour in China would be swiftly penalized.
His anger mirrors a growing sentiment across parts of Africa that the continent is too tolerant of abusive conduct by certain foreign nationals — especially when such behaviour involves children or vulnerable populations.
More Than a Viral Clip — A Deeper Tension
Though the full context of the video remains unclear, the public reaction highlights a broader conversation about unequal treatment and cultural insensitivity. In recent years, several incidents involving foreign business owners or expatriates and local workers have drawn criticism, prompting calls for African governments to enforce stricter protections for citizens.
Human-rights advocates say the latest video underlines the urgency of holding perpetrators accountable regardless of nationality.
“This should not be treated as an internet spectacle,” said one child-safety advocate in Nairobi. “It is a potential case of child abuse, and authorities — wherever this happened — need to act.”
A Test for Local Authorities
Officials in several countries have begun looking into the footage to determine the incident’s location and identify the individuals involved. Should the location be confirmed, child-protection agencies and law enforcement will likely face pressure to intervene swiftly.
The episode also raises diplomatic and social questions about how African governments regulate the conduct of foreign nationals — a conversation that analysts argue is long overdue.
The backlash isn’t only about the physical aggression seen in the footage. It taps into deeper anxieties around race, respect, and the perception that some foreigners treat Africans in ways they would never attempt in their own countries.
And for many viewers, seeing a child — a symbol of innocence — subjected to such treatment on African soil felt like a line that could not be crossed without consequence.
Water splashes against an imaginary wall as people gather to witness one of the most powerful stories in Ewe history.
In Ve-Deme, in Ghana’s Volta Region, the Velukusi Festival brings an ancestral struggle for freedom into the present, transforming a story of oppression, courage and escape into a living act of remembrance.
Celebrated during the first week of October, Velukusi commemorates the traditional account of the Ewes’ escape from the cruel rule of King Aghorkoli in Togo. According to the story passed down through generations, the Ewes were held behind a formidable wall.
Determined to break free, they repeatedly poured water onto a section of the structure until it weakened and collapsed.
Their escape did not end with the fallen wall. To conceal their direction of travel, they walked backwards, leaving misleading footprints for those who might pursue them. This extraordinary detail has become a defining feature of the festival’s historical re-enactment.
Bringing Ancestral Courage to Life
During Velukusi, the community revisits the escape through a dramatic performance that allows younger generations and visitors to connect with the experience of their forebears.
The re-enactment gives physical expression to a story that speaks of collective determination, ingenuity and the enduring human desire for freedom.
The festival reaches its climax with a colourful display of traditional cloths and beads, followed by a grand durbar of chiefs.
Traditional regalia, customary leadership and communal gatherings place Ewe identity at the centre of the celebration.
A Living Heritage
For the people of Ve-Deme, Velukusi is more than a historical commemoration. It strengthens community bonds and keeps ancestral memory alive at a time when younger generations are increasingly exposed to global influences.
For visitors exploring Ghana, the festival offers an opportunity to encounter the Volta Region’s heritage through storytelling, ceremony and traditional craftsmanship.
Velukusi reminds us that freedom is worth remembering—and that experiencing the traditions of Ve-Deme is a meaningful way to understand the resilience of the Ewe people.
Reels & Social Media Highlights
Ghana’s Timeline Erupts: Showboy’s Crude Plea, Asantewaa’s Silence, and a Nation Divided
On Wednesday, 14th October 2026, Ghana’s social media didn’t just trend — it combusted. At the center of the firestorm: Showboy, a deported ex-convict and self-styled provocateur, posting a video begging TikTok star Asantewaa to sleep with him because “everyone has chopped her except me.”
The phrase — crude street slang for sex — detonated across Facebook, X, and TikTok, splitting users between outrage, disgust, and reluctant laughter.
The Asantewaa saga had been simmering for weeks. First, rapper AMG Armani claimed a one-night stand and a pregnancy.
@notorioustrend1 Showboy Goes Hard On Asantewaa For Exp0sing Some Secret In Her Marriage On TikTok Live #ghanabloggers #ghanatiktok🇬🇭 #asantewaaaaa #showboy #notorioustrend ♬ original sound – Notorious🥷 Trend📸
Then Asantewaa herself explained she left her husband over sickle cell genotype compatibility, insisting she wasn’t with Armani until after the split. Showboy’s video poured petrol on the embers.
But the timeline wasn’t only burning with celebrity gossip. In Obuasi, the GES interdicted a headmaster accused of sexual misconduct after students rioted and vandalized school property.
The story — girls alleging assault inside the headmaster’s bungalow, a menstruation claim used as pretext, a school in ruins — resonated because it echoed a painful national truth: institutions meant to protect children often fail them.
Meanwhile, in Agona Nkwanta, a viral video of a man assaulting his wife led to a three-month jail sentence on the very same day, a rare moment of accountability that many users celebrated, even as they questioned why it took a viral clip for justice to move.
What made October 14th distinctly Ghanaian was the collision of these stories.
A culture wrestling publicly with how women are treated — by men like Showboy who see clout in disrespect, by authority figures who abuse trust — while simultaneously turning tragedy into meme fodder, joke captions, duet videos.
As the festive season winds down, Accra has one more reason to stay awake. Live in Ghana – MaddFest arrives at Alora Beach Resort on January 3, 2027, promising six hours of nightlife and celebration for partygoers eager to keep Ghana’s festive spirit alive.
Organised by December in Ghana, an event organiser with experience hosting entertainment events, MaddFest forms part of the social energy surrounding Ghana’s popular festive season, when music, nightlife and gatherings draw locals and international visitors together.
A Night Out by the Beach
Scheduled for Sunday, January 3, from 10 p.m. to 4 a.m., the event offers an opportunity to experience Accra after dark in a beach resort setting.
While specific performers, food offerings and activities have not yet been detailed, the event’s late-night format promises an extended opportunity for guests to socialise and enjoy the city’s entertainment scene.
Ghana’s December festivities have grown into a major attraction for the diaspora and international travellers, with concerts, parties and cultural gatherings creating opportunities to reconnect with home and discover contemporary Ghanaian music and lifestyle.
Events such as MaddFest contribute to this atmosphere, where entertainment becomes a meeting point for different generations and cultures.
Why MaddFest Deserves a Place on Your Calendar
For visitors, MaddFest offers a chance to experience Accra’s nightlife beyond daytime sightseeing.
Ghanaians returning from abroad may also find it an opportunity to reconnect with friends and enjoy the country’s lively entertainment culture.
The event is not presented as a traditional cultural festival, but its social setting reflects the role music, dancing and shared celebrations play in Ghanaian life.
With Alora Beach Resort providing the setting, guests can plan a night out that extends into the early hours of Monday morning.
Whether you are visiting Ghana for the festive season or simply looking for another reason to enjoy Accra, Live in Ghana – MaddFest offers a date worth considering. Check the official event listing for ticket details and announcements before making plans.
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