Culture
Outrage After Viral Video Shows Chinese Man Lifting Child by the Neck
A disturbing video showing a Chinese man lifting an African child by the neck has sparked widespread outrage across the continent.
The now-viral video is igniting renewed debate about racism, power dynamics, and the treatment of Africans on their own soil.
The short clip, whose exact location has not yet been identified, shows the man gripping the two-year-old boy’s neck with one hand and hoisting him off the ground as the child cries in distress. The lifting the boy by the neck is laughing. Another individual appears to be filming the encounter.
The video has since spread rapidly on social media platforms from Ghana to Nigeria, Kenya, Uganda, and beyond — triggering anger, disbelief and calls for accountability.
For many Africans, the visceral nature of the scene is heartwrenching. It echoed longstanding concerns about the behaviour of some foreign nationals who live and operate within African communities — particularly in sectors where they hold economic power or employ local labour.
“This is how people come to our continent and disrespect us,” one visibly upset African man said in an accompanying commentary that has been widely shared with the clip. “Look at what he’s doing — grabbing a kid by the neck, lifting the kid like an animal. He thinks it’s funny because the child is Black. He would never try this in China.”
The speaker went further, arguing that any foreigner attempting similar behaviour in China would be swiftly penalized.
His anger mirrors a growing sentiment across parts of Africa that the continent is too tolerant of abusive conduct by certain foreign nationals — especially when such behaviour involves children or vulnerable populations.
More Than a Viral Clip — A Deeper Tension
Though the full context of the video remains unclear, the public reaction highlights a broader conversation about unequal treatment and cultural insensitivity. In recent years, several incidents involving foreign business owners or expatriates and local workers have drawn criticism, prompting calls for African governments to enforce stricter protections for citizens.
Human-rights advocates say the latest video underlines the urgency of holding perpetrators accountable regardless of nationality.
“This should not be treated as an internet spectacle,” said one child-safety advocate in Nairobi. “It is a potential case of child abuse, and authorities — wherever this happened — need to act.”
A Test for Local Authorities
Officials in several countries have begun looking into the footage to determine the incident’s location and identify the individuals involved. Should the location be confirmed, child-protection agencies and law enforcement will likely face pressure to intervene swiftly.
The episode also raises diplomatic and social questions about how African governments regulate the conduct of foreign nationals — a conversation that analysts argue is long overdue.
The backlash isn’t only about the physical aggression seen in the footage. It taps into deeper anxieties around race, respect, and the perception that some foreigners treat Africans in ways they would never attempt in their own countries.
And for many viewers, seeing a child — a symbol of innocence — subjected to such treatment on African soil felt like a line that could not be crossed without consequence.
Festivals & Events
The Whispering Rocks of Tengzug: Invoking the Rain at the 2026 Gologo Festival
As the harsh harmattan winds of the north begin to soften and the cracked earth of the Upper East Region thirsts for relief, a transformation takes place in the hills of Tengzug.
While much of the world is caught in the frantic pace of the modern spring, the Talensi people are stepping back into a rhythm as old as the rocks themselves.
Throughout March 2026, the Gologo Festival (often called the Golib) serves as a profound spiritual negotiation between humanity and the divine for the survival of the coming year.
The Divine Regulator of the Harvest
To understand Gologo, you must understand the relationship the Talensi have with their land. This isn’t just a party; it is a vital agricultural necessity. The festival is centered around the Nnoo Shrine and the Golib god, the deity believed to hold the keys to the heavens.
In a region where the success of the early millet crop determines the well-being of every household, the stakes are high.
From March 1 to March 31, the air in the Tengzug hills is thick with the scent of traditional brews and the smoke of sacred sacrifices.
The chiefs and elders lead the community in seeking protection from the earthly gods, ensuring that when the seeds finally hit the soil, the rains will follow in abundance.
Read Also: The Sacred Weight of the President’s Sword
A Sensory Journey for the Global Soul
If you are a tourist venturing into Ghana this March, the Gologo Festival offers an experience that defies the typical “safari and beach” itinerary.
Tengzug is famous for its unique architecture and its incredible rock formations, which are integrated into the very homes of the people.
During the festival, these rocks become the stage for mesmerizing dances and rhythmic chanting that vibrate through your chest.
Participating in Gologo means stepping into a living museum. You aren’t just a spectator; you are a witness to a community reinforcing its identity.
You’ll see the traditional attire—richly woven smocks and intricate beadwork—and hear the distinct sounds of the Talensi flutes that signal the transition from the dry season to the life-giving rains.
For the native Ghanaian, Gologo is a powerful reminder of our indigenous resilience. In an era of climate uncertainty, there is something deeply grounding about watching a community come together to honor the earth.
It is a time to strip away the complexities of city life in Accra or Kumasi and reconnect with the foundational belief that we are stewards of the land, dependent on the grace of the ancestors and the environment.
Why You Can’t Miss the 5:00 PM Finale on March 31
The month-long celebration builds toward a crescendo that balances solemnity with communal joy.
By the time the festival officially concludes at 5:00 pm on March 31, the spiritual “green light” has been given for the sowing of the early millet.
To be present during these final hours is to feel a collective sigh of relief and hope. It is the moment when the community shifts from petition to preparation, ready to face the planting season with the backing of the Golib god.
Recommendation
If you make the trip to the Upper East Region, stay in Zuarungu or Bolgatanga and hire a local guide who understands the nuances of Talensi customs.
To truly appreciate the heritage, visit the Tongo Whistling Rocks, where the wind through the stones creates a haunting melody that many locals believe is the voice of the spirits themselves.
Pack light, stay hydrated, and bring an open heart; the dust of Tengzug will wash off, but the memories of the Gologo songs will stay with you forever.
Festivals & Events
The Festival of Truth: Why Techiman’s 2026 Apoɔ is the Ultimate Cultural Reset
If you think a festival is just about the drumming and the dancing, you’ve clearly never been to Techiman during Apoɔ.
Imagine a place where, for a few weeks, the social hierarchy dissolves, and you are legally and spiritually permitted to tell your boss, your neighbor, or even the highest King exactly what you think of them—without fear of retribution.
This isn’t a modern social media “call-out” culture; it is a sacred, ancient Bono tradition of psychological and spiritual purging that has kept this community vibrant for centuries.
From March 7 to April 5, 2026, the Techiman Traditional Council invites the world to witness this extraordinary spectacle under the theme: “Showcasing our heritage and uniting for ancestral blessings.”
The Art of “Rejecting” Evil
The word Apoɔ comes from the Bono root “po,” which literally means to reject. Historically, the festival emerged as a response to the authoritarian rule of past leaders. The people needed a vent for their frustrations, so they consulted the gods, who sanctioned a period where grievances could be aired through proverbs, songs, and lampoons.
Today, this “rejection” isn’t just about politics; it’s a massive spiritual cleanup. Before the main events, you’ll see priests performing Hyiretuo (spiritual cleansing) and women gathering white clay from the Aponkosu River to decorate shrines. It is a time when the “dirty” air of grudges and social evils is cleared to make room for fresh ancestral blessings.
Why You Must Be in Techiman This Year
For the global traveler, Apoɔ is a masterclass in indigenous democracy. Watching the Akokobonee (early morning songs) or the flamboyant processions where participants smear themselves in charcoal and clay is a sensory overload in the best way possible. It is one of the few places on earth where you can see ancient African conflict resolution in its rawest, most artistic form.
For the native Ghanaian, especially those in the diaspora, this is a homecoming with a purpose. After the disruptions of the past few years, the 2026 festival is a pivotal moment for “uniting for ancestral blessings.” It is about settling family feuds, reconnecting with the Bono-Manso roots, and standing in the presence of the Omanhene as he pours libation to the ancestors who founded one of the earliest Akan states.
What to Expect
As the festival climaxes toward the final 5:00 pm curtain call on April 5, expect the town of Techiman to be a kaleidoscope of color. You will witness:
- The Apoɔ Procession: A rhythmic, satirical parade where “insults” are turned into high art.
- Ancestral Rites: Solemn visits to the royal cemetery to bridge the gap between the living and the dead.
- The Great Friday: The peak of the celebrations, where the unity of the Bono people is most palpable.
Recommendation
If you are planning to attend, book your accommodation in the Bono East Region early. Beyond the festival grounds, take a day trip to the nearby Boabeng-Fiema Monkey Sanctuary or the Fuller Falls.
To truly “humanize” your experience, don’t just watch from the sidelines—learn a few Bono proverbs and join the singing. There is no better way to feel the pulse of Ghana than by participating in the “rejection” of the old to welcome the new.
Arts and GH Heritage
The Sacred Weight of the President’s Sword
There is a moment during Ghana’s presidential inauguration that has nothing to do with ballot sheets, constitutional affidavits, or the usual political chatter.
It happens when the newly sworn-in commander-in-chief grasps the Sword of State. Time slows. The crowd falls silent. For a few seconds, a piece of metal speaks louder than any campaign promise.
On January 7, 2025, when John Dramani Mahama took his oath for the second time, that moment resonated with particular power.
This marked his third time holding the revered sword, a continuity that connects him not just to his previous tenure but to a lineage stretching back to independence.
But why all the fuss over a sword? In a modern republic, surrounded by iPhones and fighter jets, why does this ancient object still matter?
The answer lies in what the sword carries that no constitution can print.
The Weight That Words Cannot Carry
Ghana’s Sword of State is not a weapon. Crafted from solid gold and etched with symbols as old as the Asante Kingdom, it belongs to a family of ceremonial swords known as Akrafena—a name that implies soul, purity, and responsibility.
When a president holds it, they are not preparing for battle. They are submitting to something far more demanding.
The double-bladed design, rooted in the Afena-nta symbol, speaks of balance: war and peace, justice and mercy, strength and restraint.
These are not qualities you can legislate. They are qualities you must embody.
First held by Osagyefo Dr. Kwame Nkrumah in 1960, the sword has witnessed every chapter of Ghana’s Fourth Republic—the triumphs, the transitions, the peaceful handovers that much of the continent envies.
It has rested in the hands of Rawlings, Kufuor, Mills, Mahama, and Akufo-Addo. Each grip tells a story.
The Commander-in-Chief Paradox
Here is the twist most people miss: Most presidents are civilians. They have never commanded an army, never worn a uniform.
Yet the moment they take office, they become the commander-in-chief of the armed forces. The sword bridges that gap.
It transforms a politician into a protector. It signals to every soldier, sailor, and airperson that the person holding that blade now holds their loyalty—and their lives—in trust.
Read Also: When a Woman’s Dance Stopped a Giant: The True Story of the Fante’s Apatampa
When the president inspects the guard, it is the sword that confirms his authority to do so.
This is why the handing-over ceremony is so charged. In Kenya, where a similar tradition exists, the sword has only changed hands a handful of times since independence.
When Mwai Kibaki handed it to Uhuru Kenyatta in 2013, it was not just a transfer of office—it was a father’s legacy passing to a son through the gleam of polished steel.
A Global Language of Steel
Ghana is not alone in this dance between democracy and tradition. Across the Commonwealth, the ceremonial sword signals that power has shifted.
In the United States, George Washington himself wore a sword at his inauguration, following the fashion of European courts.
Thomas Jefferson later refused to wear one—too royal, he thought—but the symbolism persisted.
Even in diplomacy, swords speak. When the British raided the White House in 1814, stealing James Madison’s ceremonial sword was considered a devastating psychological blow.
When a foreign dignitary presents a sword as a gift—as Ghana’s ambassador did to President Gerald Ford in 1975—it is an offering of respect, courage, and brotherhood.
The Silent Guardian
So the next time you watch an inauguration and see that golden blade rise, do not dismiss it as theatre. That word is watching the president as much as the president is holding it.
It asks a silent question every single day: Will you be worthy of the weight?
For a moment, under the African sun, with millions watching and history holding its breath, the answer is still being written.
And that is why the sword must always be there—to remind the person holding it that some things are heavier than gold.
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