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Accra to Host an Unmissable Weekend of Classical Music Experience by World-Class Performers

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Classical music lovers in Accra are in for a rare cultural treat this weekend as internationally trained musicians take the stage at the British Council Hall on the Liberia Road for two evenings of refined piano performance and vocal excellence.

On Friday, January 9, at 6:00 p.m., acclaimed concert pianist Dr. George François will headline a classical piano recital at the British Council Hall. Dr. François—an alumnus of the famous Juilliard School in New York and a professor at Ashesi University—is a distinguished pianist, composer, arranger, producer, organist, and music director. He holds music degrees from the University of Ghana, the Royal Northern College of Music in Manchester, the University of Texas at Austin, and Stony Brook University.

Dr. François’ career has taken him across the United Kingdom, the United States, and the Caribbean, and his return to the British Council Hall marks a special homecoming to a venue linked to his early artistic journey.

The musical celebrations continue on Saturday, January 10 at 6:00 p.m., with a special concert titled “For Every Mountain – Classical Meets Gospel.” The one-night-only performance brings together legendary New York–based songstress Angela Watson, Cameroonian tenor Guy Bertrand K, and Nigerian lyric tenor Kelvin Uhondo. The vocalists will be supported by an ensemble that includes Dr. George François on piano and Keyara Fleece, a clarinetist and band teacher at Lincoln School.

The unmissable event is divided into two distinct but complementary halves. The first celebrates classical vocal music, featuring solos, duets, and trios drawn from works by Rossini, Puccini, Nino Rota, Giordani, George Gershwin, and Leonard Cohen’s “Hallelujah.” The second half transitions into gospel, showcasing beloved classics associated with Mahalia Jackson, Luther Barnes, the Clark Sisters, Richard Smallwood, the Brooklyn Tabernacle Choir, and Edwin Hawkins.

Beyond its artistic ambition, the concert carries deep symbolic meaning. It coincides with the 53rd anniversary of the New Horizon Special School, founded on January 10, 1972, by Madame Salome Anyorkor François of blessed memory. The concert’s title, “For Every Mountain – Classical Meets Gospel,” reflects her enduring faith and belief that every challenge carries the promise of triumph and gratitude.

The event is jointly organized by the New Horizon Special School—a cornerstone of special education in Ghana for over five decades—and La Foundation for the Arts (LAFA), a nonprofit organization committed to artistic excellence and cultural preservation. Proceeds from the concert will support educational and art therapy programs for underrepresented communities.

Tickets are priced at GH¢1,000 and can be purchased via the shortcode 71411*22#, or in person at the New Horizon Special School Administration Office near the Cantonments Roundabout, opposite the Togo Embassy. For inquiries, the public may call 050 623 0600.

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The organizers have expressed gratitude to Consolidated Bank Ghana (CBG), the British Council Ghana, and the Edward Osei Boakye Trust Fund for their sponsorship and support.

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Festivals & Events

Samanpiid Festival: How Bawku Celebrates Gratitude, Harvest and Community

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The first beat of the drum carries across Bawku long before the dancing begins. Courtyards fill with people dressed in brilliantly woven smocks, elders gather beneath the shade of trees, and children weave through the crowds with contagious excitement.

By the time the traditional horns join the rhythm, the town has transformed into a living celebration. This is Samanpiid, one of the Upper East Region’s most cherished festivals, where gratitude for a successful harvest becomes a shared expression of culture, memory and hope.

Held in November or December, after crops have been gathered from the fields, Samanpiid is deeply rooted in the traditions of the Kusasi people.

For generations, the festival has marked the end of the farming season, offering thanks for the rains, fertile land and the hard work that sustains families throughout the year. It is both a thanksgiving ceremony and a reminder that prosperity has always depended on community.

Throughout the festival, Bawku comes alive with performances that celebrate local identity. Traditional drummers set the pace as dancers move in colourful formations, their movements echoing stories passed down through generations.

Men proudly wear beautifully embroidered smocks, while women brighten the streets with vibrant fabrics and intricate jewellery. The result is a striking display of heritage that feels both ceremonial and welcoming.

Beyond the music and dancing, Samanpiid strengthens family ties and honours traditional leadership. Chiefs, elders and community members gather for customary greetings, blessings and cultural ceremonies that reinforce respect for ancestors and shared values.

Visitors can also enjoy local cuisine prepared for the celebrations, turning every gathering into an invitation to experience northern Ghana’s renowned hospitality.

Today, Samanpiid continues to carry special meaning as younger generations reconnect with their cultural roots while visitors discover a side of Ghana that extends beyond its bustling cities.

It reminds everyone that harvest is more than food—it’s resilience, gratitude and belonging. For travellers seeking an authentic cultural experience, witnessing Samanpiid in Bawku offers a memorable glimpse into one of Ghana’s enduring traditions.

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Festivals & Events

From ECOWAS to the African Union: Accra Becomes the Centre of Global Migration Talks

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Every journey tells a story, and this November, thousands of those stories will converge in Accra.

From researchers tracing migration patterns to policymakers shaping the future of free movement across Africa, the Metropolis International Migration Network Conference 2026 promises four days of conversations that extend far beyond lecture halls.

Taking place from November 17 to 20, 2026, at the University of Ghana, the international gathering carries the timely theme “Rethinking African Mobility: Past Lessons, Present Realities, Future Possibilities.”

The conference brings together scholars, government officials, humanitarian organisations and development practitioners from Africa, Europe, Asia and the Americas to examine how migration continues to reshape communities, economies and identities.

The event arrives at a significant moment for Ghana. Long regarded as a crossroads for trade, education and the African diaspora, the country has become an important meeting place for conversations about movement, belonging and regional integration.

Discussions will explore issues ranging from labour mobility within ECOWAS and migration governance to health, forced displacement and diaspora engagement, with representatives from organisations including the African Union, ECOWAS and the World Health Organization expected to participate.

Beyond the formal sessions, visitors will experience the welcoming atmosphere of the University of Ghana’s leafy campus in Legon, one of West Africa’s most respected academic institutions.

Coffee breaks, networking gatherings and cultural exchanges create opportunities for meaningful conversations with people whose personal and professional experiences span continents.

For international visitors, the conference offers an ideal reason to explore Accra’s lively food scene, creative arts spaces and historic landmarks after each day’s programme. For Ghanaians, it presents a chance to engage with global perspectives while reflecting on the country’s own migration story—from internal mobility to the far-reaching influence of its diaspora.

Early-bird registration remains available until August 25, 2026, with discounted rates for Africa-based scholars and students, making this one of the year’s most accessible international conferences.

Whether you arrive as a researcher, practitioner or curious traveller, Accra is preparing to host a conversation that could help shape Africa’s future of movement.

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Reels & Social Media Highlights

“Afenyo ‘Finished’? Minister’s Taunt Ignites Social Media Firestorm”

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Thursday, August 20, 2026, wasn’t just another day on Ghana’s social media—it was a whirlwind of political sparring, collective mourning, and viral spectacle.

The nation’s digital pulse beat fiercely across Facebook and X (formerly Twitter) as netizens grappled with a mix of heavy news and internet chaos.

The Ashanti Regional Minister, Dr Frank Amoakohene, found himself at the center of a political storm. A Facebook post reacting to the ongoing GoldBod controversy drew sharp criticism, as he appeared to mock Minority Leader Alexander Afenyo-Markin.

The comment—”Afenyo has been finished! Who is next?”—was perceived by many as unbecoming of a public official. This ignited a debate about the appropriate conduct of politicians online, with some arguing such rhetoric fuels unnecessary division.

Meanwhile, the mood darkened with the shocking news of the passing of Stephen Kwabena Boateng, the CEO of the Kessben Group of Companies. 

The report of his death on Thursday sent waves of grief across social media, especially in the Ashanti Region where his business empire was based.

As tributes flooded timelines, users reflected on the fleeting nature of life and wealth, with one poignant sentiment capturing the mood: “Wiase yi mu sika dodoɔ ntumi ntɔ nkwa” (The riches of this world cannot buy life) .

Beyond the political and personal, the nation’s long-standing battle against illegal mining, or “galamsey,” continued to dominate conversations. The debate intensified following Kwame Jantuah’s radical call for a three-year ban on all forms of mining. This reignited a passionate national debate on environmental destruction versus economic necessity, underscoring the deep frustration many Ghanaians feel about the issue.

The day’s trends reveal a digital culture that is highly engaged, emotionally expressive, and unafraid to confront authority. Whether questioning the professionalism of leaders, mourning a titan of industry, or debating the nation’s future, Ghanaians use social media as the ultimate town square. It’s a space where high-stakes politics and meme culture collide, reflecting the complex socio-economic mood of a nation navigating challenges with a keyboard in hand.

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